by Peter Evans Ava Gardner ‧ RELEASE DATE: July 2, 2013
Juicy, but it leaves a nasty aftertaste.
Based on the movie star’s late-night ramblings, an unvarnished account of her marriages and affairs in golden-age Hollywood.
The films she made weren’t the principal basis of Ava Gardner’s fame, so it’s no great disappointment that there’s little here about The Sun Also Rises, Mogambo or The Barefoot Contessa (to name the ones people might actually remember today). British journalist Evans (Nemesis: The True Story of Aristotle Onassis, Jackie O, and the Love Triangle That Brought Down the Kennedys, 2004, etc.) encouraged her to focus on her personal life, and she let loose with plenty of frank, bawdy material about husbands Mickey Rooney, Artie Shaw and Frank Sinatra, plus a long list of lovers topped by Howard Hughes and George C. Scott. But even as she was confiding that sex with Rooney was so great they were still indulging after their divorce and that Scott was a mean drunk who frequently beat her bloody, she was having second thoughts about a memoir. Broke and recovering from a stroke, she asked Evans to be her ghostwriter in 1988 because, she explained, “I either write the book or sell the jewels. And I’m kinda sentimental about the jewels.” But she never really liked the idea and was often shocked to read Evans’ transcriptions of her profanity-laden speech and the salacious stories she probably wished she’d kept to herself. Indeed, since Evans got most of this material from phone calls the insomniac Gardner made when she couldn’t sleep and had been drinking, the whole project smacks of exploitation, especially since Gardner eventually decided against allowing this revealing document to be published. Evans revived the project after her death with the permission of her estate, and the pages he produced before his death last year certainly give a vivid sense of Gardner’s salty, no-BS personality. Nonetheless, reading it feels somewhat like going through a person’s bureau drawers when she’s not home.
Juicy, but it leaves a nasty aftertaste.Pub Date: July 2, 2013
ISBN: 978-1-4516-2769-5
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: April 27, 2013
Kirkus Reviews Issue: May 15, 2013
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by Michael Gardner & Ava Gardner ; illustrated by Nadia Fisher
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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