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LORD OF THE KONGO

Forbath (The Last Hero, 1988, etc.), who died earlier this year, leaves a powerful valedictory based on the real and tragic events precipitated by Portugal's first lodgment in West Africa. In 1482, a caravel dispatched by the Portuguese king to find a sea route to the Indies makes a brief landfall near a mighty river called Zaire by the natives. Leaving the captain's page, 15- year-old Gil Eanes (who's been represented as a royal), to pay the crown's respects to the local chief, the ship sails away, never to return. A talented linguist, Gil impresses the chief and his younger son Mbemba; owing to the enmity of the tribe's juju man, however, he's exiled from the upcountry court to an offshore island well away from established trade routes. Ten years on, the lonely castaway finally flags down another Portuguese vessel. Gil (now with a son by Mbemba's younger sister) gets word of the arrival to Mbemba, who soon after seizes the throne. Eager to learn the art of writing and other of civilization's blessings for his people, the ambitious young prince embraces Catholicism and becomes a vassal of the Portuguese. A decade later, the Portuguese, anxious to settle their new province of Brazil, start casting about for slaves and settle on Mbemba's people, and the Portuguese monarch sends five well-stocked cargo craft to the Kongo (latter-day Zaire). While sanctimonious priests speak of saving souls and building cities on a hill, hard-eyed, well-armed Portuguese soldiers are scouting for bondsmen. Factions long mistrustful of Mbemba rise in rebellion; Gil dies; his son is enslaved; and the Portuguese seize control of the country. Mbemba's penance for the sin of vaulting ambition is to live on as slavers ravage his country and its people. A true adventure brought vividly to live amid the violent social, cultural, and religious conflicts that marked the Dark Continent's first contacts with Europe.

Pub Date: Nov. 1, 1996

ISBN: 0-684-80951-6

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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