by Peter Guralnick ‧ RELEASE DATE: Jan. 8, 1999
Guralnick concludes his majestic two-volume biography of Elvis Presley with copious evidence of Elvis’s creative and personal plunge. Last Train to Memphis (1994) brilliantly illuminated the mystery of Elvis’s genius—what it consisted of and where it came from. The unanswered mystery here is how someone who reshaped American culture between 1954 and 1958 could have so completely insulated himself from that culture for most of the rest of his life. After Elvis came out of the army in 1960, he increasingly became a clock-puncher. The times left him behind as he gamely acted in inanely trashy movies and sang inanely trashy songs in order to fulfill contractual commitments. Guralnick meticulously documents manager Colonel Tom Parker’s cutthroat dealings with RCA Records and the movie studios, which resulted in staggering paychecks for both Presley and Parker (by the mid-’70s, Parker was splitting his sole client’s earnings 50—50). While his celebrated 1968 TV special rejuvenated Elvis professionally, the overstuffed-jumpsuit years that followed had few aesthetic or personal high points. Hangers-on tirelessly served the King’s whims, including multiple simultaneous affairs and the incredibly debilitating pharmaceutical habits that eventually did him in. Unconditionally loved by his audiences no matter how bloated, doped up, and incompetent he became, Elvis indulged obsessions with guns and karate and even took a stoned trip to the Oval Office, where he persuaded a bemused President Nixon to make him a federal narcotics agent. As his sometime spiritual advisor and hairdresser Larry Geller puts it, “The outside world was a distant place he ventured out into but never really lived in.” Careless Love is about claustrophobia, insularity, and disintegration: exactly the opposite of the previous volume’s subjects. We miss the cultural context of the 1960s and ’70s, but then, so did Elvis. The diffuseness of this life is reflected in Guralnick’s narrative. Nevertheless, this sequel to his exhilarating first volume is the most meticulously researched and sympathetic, honest portrait of Elvis we are likely to see.
Pub Date: Jan. 8, 1999
ISBN: 0-316-33222-4
Page Count: 752
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Wendy Holden ‧ RELEASE DATE: May 5, 2015
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...
The incredible true story of three Jewish women who survived the Holocaust.
Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.Pub Date: May 5, 2015
ISBN: 978-0-06-237025-9
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 28, 2015
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