A sinister plot to corner the truffles market provides the backdrop for another delightful trek through the French countryside in this third novel from the ever-popular Mayle (Hotel Pastis, 1993; A Dog's Life, 1995, not reviewed). An easygoing expatriate Brit with a career in film production behind him, Luciano Bennett couldn't be happier with his new, ambition-free life as a house-sitter in the tiny French village of Saint-Martin. Dreading a return to London once his meager savings run out, Bennett places an ad in the International Herald Tribune tendering his services. The ad is answered by the mysterious, extremely wealthy Julian Poe, who offers Bennett a luxurious, all- expenses-paid life in his Monaco bachelor pad in exchange for performing an occasional errand. Hardly believing his luck, Bennett throws himself wholeheartedly into a rich man's life—driving Poe's Mercedes around town and dining at the best restaurants on Poe's tab. What Bennett doesn't realize is that Poe plans to use him as the drop man for a secret formula for artificially cultivating truffles—a formula that will enable Poe to wrest control of the lucrative truffles market from the French. When Sicilian gangsters intercept the delivery of the formula, the enraged Poe threatens to kill Bennett if he doesn't recover it. A Keystone Kopsstyle chase across France ensues, involving half a dozen international gangsters, the French police, and a very unusual order of monks. Fortunately, Poe has arranged for lovely Anna Hersh, a former Israeli Army sergeant, to act as Bennett's accomplice, thus enabling Bennett to enjoy a number of deliciously romantic repasts in cafes throughout southern France before his final triumph over the bad guys. It is this gustatory travelogue, rather than the unabashedly silly caper, that will keep Mayles's loyal readers satisfied. Stylish and amusing as ever. (First printing of 150,000; Book- of-the-Month/QPB selection)
Pub Date: June 5, 1996
ISBN: 0-679-44123-9
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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