by Peter Rader ‧ RELEASE DATE: April 24, 2012
Bold, well-crafted biography of a long-elusive and controversial public figure.
A probing biography unveils the insecure depressive lurking inside 60 Minutes journalist Mike Wallace.
Rookie biographer Rader manages to tease out the fallible humanity in an otherwise attack-dog TV reporter who’s always kept his real persona hidden from everyone—including himself. Since his subject’s career spans some 70 years, Rader’s book also serves as a fascinating history of the development of entertainment media in America—namely, TV tabloid-style journalism, which Wallace played an important role in shaping over the years. Although Wallace went from cigarette pitch man to TV talk shows to dubious status as the most feared hit-man reporter on one of the longest running and most revered shows on TV, 60 Minutes, he could never quite come to terms with his identity when he wasn’t busy conducting boisterous and revealing interviews with everyone from Malcolm X to Lyndon Johnson to Iran President Mahmoud Ahmadinejad. Rader’s revelations about Wallace go to some pretty impressive psychological depths: He is portrayed as a man who could dish out withering examinations of others, but knew he might not be capable of withstanding attacks on his own credibility. Although Wallace had his way with presidents, world leaders, celebrities and everyone in between, he finally reached his mental breaking point during the 1980s slander suit that pitted Gen. William Westmoreland against Wallace and 60 Minutes; an ugly trial led Wallace to a botched suicide attempt. Rader’s portrait is of the classic American workaholic, one whose burning ambition and freakishly tireless work ethic were fueled by massive insecurities and existential crises.
Bold, well-crafted biography of a long-elusive and controversial public figure.Pub Date: April 24, 2012
ISBN: 978-0-312-54339-6
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: March 12, 2012
Kirkus Reviews Issue: April 1, 2012
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by Peter Rader
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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