A well-researched and thoroughly entertaining dual biography.

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PLAYING TO THE GODS

SARAH BERNHARDT, ELEONORA DUSE, AND THE RIVALRY THAT CHANGED ACTING FOREVER

A filmmaker and screenwriter’s biographical account of two 19th-century theater divas and their fabled feud.

As Rader (Mike Wallace: A Life, 2012) notes, before the rise of French acting superstar Sarah Bernhardt (1844-1923) in the 1860s, popular theater was little more than a vaudevillian “social experience.” Actors earned neither money nor respect for their work. Bold and charismatic, Bernhardt took the “highly stylized” art of acting, which portrayed archetypes rather than real human beings, to a level never seen before. Her efforts and her eccentricities—e.g., traveling with a pet alligator and sleeping in a coffin—along with her scandalous affairs, earned the French actress wealth, fame, and legions of adoring fans all over the world. While the world reveled in the on- and offstage antics of “The Divine One,” Eleonora Duse (1858-1924), an actress 14 years Bernhardt’s junior, was gaining national attention in Italian newspapers. The flamboyant Bernhardt’s temperamental opposite, Duse gravitated toward naturalistic stage representations and portrayed her characters as “multidimensional, shaded, and complex” figures. Duse first saw Bernhardt appear in an 1882 production of her signature play, La Dame aux Camélias. Enchanted by the older actress’s talent and success, Duse made Bernhardt her role model. As critics across Europe began to take positive notice of Duse’s revolutionary acting methods, they also began to critique Bernhardt for her “dated style.” Soon the two divas began poaching plays, playwrights, and even lovers from each other. Before Bernhardt was able to perform playwright Giacomo Giacosa’s rendering of La Dame on Broadway in 1891, for example, Duse performed Giacosa’s translated version for Italian audiences first. Several years later, Bernhardt took poet and playwright Gabriele D’Annunzio—whom Duse adored like no other—as her lover. Delightfully readable and informative, Rader’s book examines a rivalry that defined modern theater while also exploring the origins of modern celebrity culture.

A well-researched and thoroughly entertaining dual biography.

Pub Date: Aug. 21, 2018

ISBN: 978-1-4767-3837-6

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: June 12, 2018

Kirkus Reviews Issue: July 1, 2018

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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