by Peter Richardson ‧ RELEASE DATE: March 10, 2015
Not quite as smartly conceived and written as Greil Marcus’ Invisible Republic (1997), but a kindred book that helps locate...
Far-ranging look at the ultimate jam band in the acid-drenched context of their formative years.
Richardson (Humanities/San Francisco State Univ.) opens his account, fittingly, with a look deep within the pages of Aldous Huxley’s The Doors of Perception, a book that “recounted a single day in the life of an English intellectual tripping on mescaline in and around his Hollywood home.” Intellectual, hallucinogen, California: Voilà, the ingredients of the Grateful Dead, a band born in the heady Bay Area coffeehouse, bookstore and Beat poetry heyday. Richardson wisely locates the band within that tradition, allowing for lashings of British Invasion pop and old blues and for the particular eccentricities the region has always permitted. The author ascribes much of the culture change of the 1960s to the Dead’s discovery that, if they were the weirdest of all the guys in Frisco, there were plenty of like-minded weirdos around the country. In the days before the Internet, connecting with those people and building communities required constant touring, and so the band also became as known for its dedicated work-shopping and endless roadwork as for its devotion to the lysergic arts. It’s now more than half a century since the band began to form, so one supposes that it’s necessary, as Richardson does, to explain who Ed Sullivan was and why Harry Smith’s folk anthology was so important to the nascent counterculture. Along the way, the author raises such important matters as the ascent of Ronald Reagan, Jerry Garcia’s opposite in nearly every respect, and the role of the Dead as both cultural interpreters and cultural pioneers, a role that is very real, no matter what one might think of hourlong jams on variations of “Johnny B. Goode.”
Not quite as smartly conceived and written as Greil Marcus’ Invisible Republic (1997), but a kindred book that helps locate an influential musical group in time and place.Pub Date: March 10, 2015
ISBN: 978-1250010629
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Dec. 14, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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