An entertaining, fast-paced mystery.
In this 18th entry in Fischer’s (Ashes to Ashes, 2018, etc.) mystery series, a Hollywood novelist/screenwriter runs into danger when his latest project threatens to expose old secrets about President John F. Kennedy’s father.
Joe Bernardi, once a top Hollywood publicist, has shifted careers to write novels and screenplays, but he often finds himself investigating Tinseltown murders and scandals. In 1963, his publisher intriguingly asks him to write a nonfiction account of a 35-year-old murder aboard the yacht Highland Rose. The alleged shooter was Joseph P. Kennedy Sr., the president’s dad—and surprisingly, the book proposal is coming from JFK’s inner circle. Apparently, the president’s enemies are preparing their own hatchet job, and his allies want to get ahead of it. The trail’s gone cold since 1929, when the elder Kennedy was a rich but relatively unknown bootlegger. Murder victim Archie Farrell, a second-rate, alcoholic talent agent, was similarly obscure. But some Hollywood bigwigs were on the yacht, too, including Farrell’s wife, the glamorous actress Gladys Cooper; and Gloria Swanson, Kennedy’s mistress. Bernardi tracks down the original newspaper, police, and crew accounts in Monterey Bay, where the yacht was moored, as well as still-living witnesses, including Cooper and Swanson. He also confronts lies, evasions, and beatings, which only spur his resolve—but in the end, the facts may not be the most important thing. Fischer is a former screenwriter and producer for such TV shows as Columbo and Murder, She Wrote, and he knows how to tell a compelling story. The gumshoe-style mystery at the heart of his novel is intriguing in itself, but it gets an extra boost from the Hollywood glamour that surrounds it; for example, readers get to visit the set of the film My Fair Lady, in which Cooper is one of the actors, and Bernardi offers his opinion that casting Audrey Hepburn as the lead is a terrible idea. The story has a sense of pathos, as well, revealing how less-powerful players were affected by the Highland Rose incident, and as Bernardi bemoans the bitterness, anger, and division of 1963, the author holds a mirror up to our own fractious era.
An entertaining, fast-paced mystery.Pub Date: March 12, 2018
ISBN: 978-0-9960491-7-7
Page Count: 226
Publisher: Grove Point Press
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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