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MURDER ABOARD THE HIGHLAND ROSE

From the Hollywood Murder Mysteries series , Vol. 18

An entertaining, fast-paced mystery.

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In this 18th entry in Fischer’s (Ashes to Ashes, 2018, etc.) mystery series, a Hollywood novelist/screenwriter runs into danger when his latest project threatens to expose old secrets about President John F. Kennedy’s father.

Joe Bernardi, once a top Hollywood publicist, has shifted careers to write novels and screenplays, but he often finds himself investigating Tinseltown murders and scandals. In 1963, his publisher intriguingly asks him to write a nonfiction account of a 35-year-old murder aboard the yacht Highland Rose. The alleged shooter was Joseph P. Kennedy Sr., the president’s dad—and surprisingly, the book proposal is coming from JFK’s inner circle. Apparently, the president’s enemies are preparing their own hatchet job, and his allies want to get ahead of it. The trail’s gone cold since 1929, when the elder Kennedy was a rich but relatively unknown bootlegger. Murder victim Archie Farrell, a second-rate, alcoholic talent agent, was similarly obscure. But some Hollywood bigwigs were on the yacht, too, including Farrell’s wife, the glamorous actress Gladys Cooper; and Gloria Swanson, Kennedy’s mistress. Bernardi tracks down the original newspaper, police, and crew accounts in Monterey Bay, where the yacht was moored, as well as still-living witnesses, including Cooper and Swanson. He also confronts lies, evasions, and beatings, which only spur his resolve—but in the end, the facts may not be the most important thing. Fischer is a former screenwriter and producer for such TV shows as Columbo and Murder, She Wrote, and he knows how to tell a compelling story. The gumshoe-style mystery at the heart of his novel is intriguing in itself, but it gets an extra boost from the Hollywood glamour that surrounds it; for example, readers get to visit the set of the film My Fair Lady, in which Cooper is one of the actors, and Bernardi offers his opinion that casting Audrey Hepburn as the lead is a terrible idea. The story has a sense of pathos, as well, revealing how less-powerful players were affected by the Highland Rose incident, and as Bernardi bemoans the bitterness, anger, and division of 1963, the author holds a mirror up to our own fractious era.

An entertaining, fast-paced mystery.

Pub Date: March 12, 2018

ISBN: 978-0-9960491-7-7

Page Count: 226

Publisher: Grove Point Press

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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