Gritty atmosphere and clever plotting enhance a fine addition to the noir tradition.
John March (Death’s Little Helpers, 2005, etc.) returns to the crime scene in the third installment of an impressive series.
This time around, private detective John March is hired by his older brother David, a buttoned-up, power-hungry executive. Happily married, self-righteous David, it turns out, is being blackmailed by a one-night-stand he met through a website designed to broker casual sexual encounters. The situation worsens when the woman is found dead and David becomes a suspect in her murder. The two brothers have never been close, and working together exacerbates their contempt for each other. Indeed, investigating the blackmail scheme leads to uncomfortable truths about how manipulative and damaging siblings can be to one another, for the case hinges on a family nearly as unhappy as John March’s. The murdered blackmailer, initially identified only by the tattoo of a red cat, is a young woman using her anonymous tricks to make performance-art films about sexual blackmail. She developed this scheme to quite literally act out her family secrets—just as March’s investigation is organized around protecting his. The book’s premise is certainly inventive—an old plot of sexual intrigue is nestled within a shiny new plot about techno culture—and John March is a worthy heir to the hardboiled detective. The moral landscape of the minor characters is richly drawn, pulsing with petty evils that call to mind the work of Raymond Chandler and Dashiell Hammett. John March is perhaps less like Philip Marlowe than he is like Bill Smith, S.J. Rozan’s updated Chandleresque detective, but he will doubtless become Smith and Marlowe’s peer in the future.
Gritty atmosphere and clever plotting enhance a fine addition to the noir tradition.Pub Date: Feb. 6, 2007
ISBN: 0-307-26316-9
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...
Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.
For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.Pub Date: June 5, 2007
ISBN: 978-0-385-52111-6
Page Count: 368
Publisher: Flying Dolphin/Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
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