by Peter Spier & illustrated by Peter Spier ‧ RELEASE DATE: Sept. 1, 1993
Spier's love of history again combines with his love of transport (The Erie Canal, 1970, among many), now in a fictionalization of the development of the Royal Netherlands Rescue Society (KNRM). In parallel stories set 300 years apart, a Dutch boy spots a ship in distress and raises the alarm; each time, the boy's father is skipper of the volunteer rescue crew, but only in the 20th century is the boy allowed to go along. The incredibly numerous, often humorous minutia in Spier's deceptively casual pictures contrast the periods in fascinating detail. In the later story, the village has grown, but the same church, windmill, and lighthouse remain (though the latter bristles with communications gear); even the rabbits that peep from behind a dune are the same. Descendants of the 17th-century crew have their forebears' names and faces and follow similar trades (blacksmith/garage owner, clogmaker/shoestore owner); a farmhouse is hardly changed (save for a satellite dish where the privy used to be). Most important, the selfless spirit of the rescuers has endured. Map of the treacherous coast; diagrams of the modern lifeboat; brief history of the KNRM. (Picture book. 5-8)
Pub Date: Sept. 1, 1993
ISBN: 0-385-30935-X
Page Count: 24
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Amy Krouse Rosenthal ; illustrated by Mike Yamada
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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