A cleareyed, hard-earned, even affectionate recollection of a valiant fight against AIDS and bigotry.
The dramatic life story of an indispensable AIDS activist.
Despite the fact that the provocative AIDS Coalition to Unleash Power is a radically democratic organization, Staley (b. 1961) was, as he acknowledges, one of its “poster boys,” due largely to his mediagenic talents. In those early days, ACT UP, which did so much to force Republican administrations and the National Institutes of Health to fund research to fight HIV, was barbed, relentless, and righteously angry. The organization quickly garnered national, even global, attention for its innovative actions—e.g., infiltrating the floor of the New York Stock Exchange in 1989 and unfurling a banner urging the traders to “Sell Wellcome,” the pharmaceutical company making a hefty profit from AIDS patients; or the 1989 demonstration against the Catholic Church’s “anti-condom, gay-bashing, AIDS-spreading policies” during Mass inside St. Patrick’s Cathedral in New York City. Staley was a plucky showman, as evidenced by his creation of the memorable stunt of wrapping virulently anti-gay Sen. Jesse Helms’ house in a condom. One incident in the author’s childhood demonstrates that his showmanship was born early: When he was 5, his father taught him how to start the family’s lawn mower, and he proceeded to start all the lawn mowers on his street, “until a chorus of mowers echoed down the block.” His memoir is a gripping, moving text that deserves a wide readership, especially now that it’s become clear that ACT UP’s innovations have influenced current-day movements for social justice in America. Staley’s account arrives close on the heels of Sarah Schulman’s Let the Record Show: A Political History of ACT UP New York, 1987-1993, which pointedly takes the spotlight off prominent White gay members of ACT UP like Staley and Larry Kramer and places it on lesser-known activists. Staley acknowledges his relative privilege but also drives home the point that his activism was vital.
A cleareyed, hard-earned, even affectionate recollection of a valiant fight against AIDS and bigotry.Pub Date: Oct. 12, 2021
ISBN: 978-1-64160-142-9
Page Count: 304
Publisher: Chicago Review Press
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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