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SEVEN YEARS

A monster with a full-bore obsession might have been fun to read about, but that’s not what’s on offer in this damp squib.

One man steers an erratic course between two women in this wan account of a quasi-obsession, the latest from the Swiss Stamm (On a Day Like This, 2008, etc.). 

In the framing device, Alex, a married German architect, is telling Antje, an expatriate German artist, about the Other Woman. His story begins in 1989. He’s an architecture student in Munich. In a beer garden, a friend sets him up with a young woman who’s been eyeing him. This is Ivona, from Poland, a clerk in a Catholic bookstore. She’s plain, passive, inarticulate, quite without charm, “a natural-born victim,” yet Alex, perversely, finds himself drawn to her. He spends the night with her. They don’t have sex, yet Ivona says she loves him; her unwavering devotion is her only appeal. The second time he comes close to raping her. Then she fades into the background as Alex travels to Marseilles with Sonia, another architecture student. She is everything that Ivona is not. They make love. After some twists and turns, Alex and Sonia get married; she accepts his assurance that he’s broken up with Ivona. They start their own firm; business is booming, but they can’t make a baby. Alex starts seeing Ivona again. She becomes pregnant. Alex suggests to Sonia that they raise the child together. Implausibly, she agrees. What might have been a moment of high drama passes for nothing as the narrative voice drones on. And the cold question recurs: Why should we care about these people? OK, perhaps Sonia a little. This smart, beautiful, warm-hearted woman is trapped in the wrong marriage and the wrong novel. But the almost mute Ivona is an unformed lump of clay, and Alex is a self-pitying creep who proves, in due course, a neglectful parent to little Sophie. By the end, nothing has really changed.

A monster with a full-bore obsession might have been fun to read about, but that’s not what’s on offer in this damp squib.

Pub Date: March 22, 2011

ISBN: 978-1-59051-394-1

Page Count: 272

Publisher: Other Press

Review Posted Online: Jan. 8, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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