Readers will likely come away with deeper admiration for Tecumseh—and disdain for his conniving foe.
Lively joint biography of two bitter enemies: William Henry Harrison and Shawnee chief Tecumseh.
Popular historian Stark, author of Astoria and The Last Empty Places, offers a kind of thought experiment at the outset: What might have happened if Tecumseh, the builder of a geographically extensive and ethnically diverse Indigenous confederacy, had been successful in keeping White settlers out of the Ohio River Valley and environs? After all, for a time, when he was a young war fighter, it looked as if the Native peoples might have been able to pull it off, having inflicted “the worst massacre the U.S. Army ever suffered at the hands of Native warriors” when they attacked an American column that George Washington sent to destroy Miami and Shawnee villages in northern Ohio. Harrison, a footloose medical school dropout, came to the area as a soldier on another expedition, and he and Tecumseh led parallel lives, the one trying to seize the Wabash River Valley and the other trying to keep the White invaders out. Stark effectively contrasts Tecumseh, a man of his word who preferred peace to war, and Harrison, who had ambitions that included the White House, fueled by “a voracious and bottomless appetite for acreage—in the tens of millions.” The author notes that historians consider his 1840 run “the first modern presidential campaign,” though Harrison held office for only a month before dying of typhoid. Stark’s prose is occasionally overwrought, especially when he’s enthusiastically building battlefield set pieces: “The gunners wanted permission to put their fuses to the touchholes unleashing sheets of flame and smoke, the muzzle roar, and a winging spray of death.” Still, his book provides a solid bookend to Peter Cozzens’ somewhat better Tecumseh and the Prophet, particularly in its account of Harrison’s many machinations.
Readers will likely come away with deeper admiration for Tecumseh—and disdain for his conniving foe.Pub Date: Aug. 29, 2023
ISBN: 9780593133613
Page Count: 400
Publisher: Random House
Review Posted Online: April 25, 2023
Kirkus Reviews Issue: May 15, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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