A book that manages to break your heart, make you dizzy, and punch you in the gut all at once. You will be hard-pressed to...
The lone survivor of a cult tries to readjust to life as an average citizen, but when he meets a girl whose quest for honesty and happiness reminds him of his younger self, his future begins to look like his past.
Mason Hues’ life has been one horrible situation after the next. His adopted father’s predatory behavior propelled Mason to run away from home to join The Survivors, a cult whose members inject the drug Cytoxin—commonly used in chemotherapy treatments—which sickens them to the point of immobility. The closer the cult members get to death, they say, the more they gain a new appreciation for life, an appreciation which evolves into a longing to spread their “teachings” to others and culminates in a mass murder-suicide called the Day of Gifts. After surviving the Day of Gifts, Mason spends time in a juvenile penitentiary and a psychiatric ward, then rejoins society and meets Talley, with whom he forms a relationship that soon begins to follow the same downward spiral as Mason’s life with The Survivors. With his second novel, Stenson (Fiend, 2013) proves to be a more articulate, more empathic, and more intelligent version of Chuck Palahniuk. Stenson’s sentences devastate, and his characters are nuanced and warm, which makes the terrible things that happen to them and the terrible choices they make more painful to read about. Stenson’s cutting descriptions of drug use, violence, and nihilistic despair suffocate the reader like a noose. Here's his description of "the American Dream," for example: “Every conversation is one-sided, a mirror reflecting looks and status and wealth. Every person is steeped in want…filling themselves with goods and sex and alcohol and validation so they forget about the fact that they all will die.” Themes of immortality, sacrifice, self-hatred, and the artificiality of modern life feel new in Stenson’s world, a world teeming with prophetic visions, existential provocations, and ideological assertions that will leave readers questioning the way they lead their lives.
A book that manages to break your heart, make you dizzy, and punch you in the gut all at once. You will be hard-pressed to find a novel as dark or intense in any bookstore.Pub Date: Feb. 13, 2018
ISBN: 978-1-945814-31-0
Page Count: 282
Publisher: Dzanc
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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