A memorable, enticing account of conflicting lovers—even if some portions are needlessly prolonged.
Stenson’s character-driven novel features a disastrous love triangle.
Elliot Svendson is 29 and works at a Talbots store in her hometown of Roseville, Minnesota. She lives with her parents and her 3-year-old son, Jacob. This is not where Elliot wants to be—it’s where she has ended up after catching her husband, college professor Devon Hester, cheating on her with one of his students. A skateboarding teen named Madison “Maddie” Johnson enters the picture. When Elliot first lays eyes on Maddie, she is smitten. Despite some initial reservations about the age gap, the two hit it off, and no public space is exempt from their sexual exploits. Maddie even bonds with young Jacob. Then, Devon shows up in Minnesota unannounced and makes the brash move of taking Jacob to a water park without Elliot’s permission. Devon is arrested for the act, though all charges wind up being dropped. He’s not the only one who will spend time in jail: After he informs Maddie’s mother about Maddie’s relationship with an adult woman, the wheels of outrage begin turning. The narrative offers different perspectives from different characters. The story begins with Elliot as the protagonist, followed by excerpts from Devon’s memoir, followed by a screenplay written by Maddie, and finally concluding with college admission essays from a much older Jacob. The shifting angles keep the story fresh with new developments always in store; for instance, while Devon may initially appear to be an “insecure man who slunk through life as if eternally misunderstood,” he later becomes much more multifaceted, and even likable. Maddie’s screenplay proves to be more drawn-out than the other material. When Maddie’s parents say things like “Proud of you” after he graduates high school, it’s dull fare. Though such scenes build to later excitement, they make for a slow boil.
A memorable, enticing account of conflicting lovers—even if some portions are needlessly prolonged.Pub Date: March 26, 2024
ISBN: 9781646034277
Page Count: 298
Publisher: Regal House Publishing
Review Posted Online: April 4, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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