by Peter Stothard ‧ RELEASE DATE: Aug. 1, 2013
Don’t try to categorize this book; just read it and let it flow over you.
A thoroughly enjoyable combination of history, autobiography, travel and general musings about Alexandria.
Times Literary Supplement editor Stothard (The Spartacus Road, 2010, etc.) started writing about Cleopatra when he was in elementary school, and this book is the eighth version of his work. A vacation interrupted by weather landed the author in Alexandria, the Egyptian city of the Ptolemys. He was somehow adopted by two very peculiar guides—or guards—who did their best to lead, or mislead, his quest to finish the story. Cleopatra was the last of her line; her oft-told story of intrigue, lust and no small amount of genius now has deeper background. There is no way to trace the steps of Caesar or Marc Antony as they wooed her. The great library burned down, and the lighthouse is at the bottom of the sea, as are most of the buildings of old Alexandria. Stothard’s journey through prep school, public school, Oxford and Fleet Street is the curious history of his attempts at fully grasping Cleopatra’s story. The unusual findings of his schoolmates as they combed through the classics—e.g., Antony’s drunkenness, odd red tents of mermen—intrigue readers, but not as much as the players with which most are unfamiliar. Aulus Hirtius, one of Caesar’s continuators (extending the legend), is but one of the characters Stothard uses effectively to provide a sharper picture. It is these writings of poets and historians from 2,000 years ago that bring together the Greek and Roman influences that made Alexandria great. It is a joy to watch the classically trained mind assemble the story.
Don’t try to categorize this book; just read it and let it flow over you.Pub Date: Aug. 1, 2013
ISBN: 978-1-4683-0370-4
Page Count: 400
Publisher: Overlook
Review Posted Online: May 6, 2013
Kirkus Reviews Issue: June 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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