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THE MARK

Stark and somber, like the protagonist’s profession, but with a brooding ambience that will leave an imprint in readers’...

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In Peterson’s debut thriller, a contract killer’s latest assignment puts him in danger and leaves him torn between revenge and protecting a woman he’s only just met.

A recent hit unsettles an unnamed former military sniper now working as an assassin for hire. Crime boss Luigi Baresi, before dying, warns the killer that rival gangster Vincenzo Varetti’s nefarious deeds involve not drugs or guns—but people. The killer’s newest contract is a mission to rescue Baresi’s son, Valentino, whom Varetti has prisoner, but the mobster, along with Dr. Charles Ward, is doing far worse things than holding someone captive. The assassin narrowly escapes Varetti and Ward, and he must decide if he seeks vengeance or a way to stop Valentino from administering his own retribution by targeting Ward’s daughter, the “beautiful” Dr. Jessica Ward. It may not be easy for readers to sympathize with a seemingly emotionless protagonist of unknown origin and name. He’s an orphan who knows nothing of his parents and lives in Hillbay (where most of the action takes place), a city in an unspecified country. But even cold and detached, he’s the least of the book’s evils. Varetti and Ward are plotting an elaborate chemical attack, and when the killer takes down a would-be mugger, it’s passersby who are bloodthirsty, demanding that he stab the thug. The story is notably dark, as the killer’s paranoia—he may have been betrayed by George, a contact he uses for intel, or his handler Lloyd—overwhelms the book. There are also a few cringe-inducing moments, including grisly scenes involving the gangster-doctor duo. The author, however, allows for subtle humor to lighten a primarily cheerless plot, having fun with the protagonist’s many aliases. The assassin’s oscillating distrust carries all the way until an ending that most definitely kills.

Stark and somber, like the protagonist’s profession, but with a brooding ambience that will leave an imprint in readers’ minds.

Pub Date: Sept. 10, 2014

ISBN: 978-0992438104

Page Count: 232

Publisher: Buster Books

Review Posted Online: Nov. 20, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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