Stark and somber, like the protagonist’s profession, but with a brooding ambience that will leave an imprint in readers’...


In Peterson’s debut thriller, a contract killer’s latest assignment puts him in danger and leaves him torn between revenge and protecting a woman he’s only just met.

A recent hit unsettles an unnamed former military sniper now working as an assassin for hire. Crime boss Luigi Baresi, before dying, warns the killer that rival gangster Vincenzo Varetti’s nefarious deeds involve not drugs or guns—but people. The killer’s newest contract is a mission to rescue Baresi’s son, Valentino, whom Varetti has prisoner, but the mobster, along with Dr. Charles Ward, is doing far worse things than holding someone captive. The assassin narrowly escapes Varetti and Ward, and he must decide if he seeks vengeance or a way to stop Valentino from administering his own retribution by targeting Ward’s daughter, the “beautiful” Dr. Jessica Ward. It may not be easy for readers to sympathize with a seemingly emotionless protagonist of unknown origin and name. He’s an orphan who knows nothing of his parents and lives in Hillbay (where most of the action takes place), a city in an unspecified country. But even cold and detached, he’s the least of the book’s evils. Varetti and Ward are plotting an elaborate chemical attack, and when the killer takes down a would-be mugger, it’s passersby who are bloodthirsty, demanding that he stab the thug. The story is notably dark, as the killer’s paranoia—he may have been betrayed by George, a contact he uses for intel, or his handler Lloyd—overwhelms the book. There are also a few cringe-inducing moments, including grisly scenes involving the gangster-doctor duo. The author, however, allows for subtle humor to lighten a primarily cheerless plot, having fun with the protagonist’s many aliases. The assassin’s oscillating distrust carries all the way until an ending that most definitely kills.

Stark and somber, like the protagonist’s profession, but with a brooding ambience that will leave an imprint in readers’ minds.

Pub Date: Sept. 10, 2014

ISBN: 978-0992438104

Page Count: 232

Publisher: Buster Books

Review Posted Online: Nov. 20, 2014

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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