Merrily links criminal, psychological, moral, sociological, spiritual, and supernatural realms to dig deeper into evildoing...
A monumentally ambitious fourth outing for the vicar of Ledwardine church and Deliverance Consultant—the term contemporary Anglicans use for exorcist—to the Diocese of Hereford. When contractor Gomer Parry’s nephew and partner Nev dies in a suspicious fire, Parry himself burns with righteous indignation against the man he’s convinced is the killer. And after DI Francis Bliss not only learns that the accused man’s girlfriend, good-time girl Lynsey Davies, has been killed but extracts a full, if hysterically addled, confession from the suspect, who allows himself to be goaded into suicide, the stunned villagers of Underhowle are ready to close the case. But the spectacular self-immolation is only the beginning of a more unsettling mystery that links these crimes to the career of Frederick West, the most notorious real-life mass murderer in modern English history—a mystery whose riddles reach out in the most unexpected directions. Should Rev. Merrily Watkins (The Cure of Souls, not reviewed, etc.) brave public outrage to preside over the killer’s Christian burial? What anonymous donor left £80,000 in her church so that she wouldn’t have to accept a well-paying but perhaps lethal electrical transmitter within the spire? And what part are angels, ghosts, and devils playing in what looks like a most earthbound series of crimes?
Merrily links criminal, psychological, moral, sociological, spiritual, and supernatural realms to dig deeper into evildoing just when most fictional sleuths would be calling it quits.Pub Date: Aug. 1, 2003
ISBN: 0-333-90805-8
Page Count: 552
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2003
What starts off as Easter eggs ends up as one big, shapeless omelet in Lucy’s feckless 21st.
A holiday tradition turns lethal in small-town Maine.
The residents of Tinker’s Cove have always dressed their toddlers in their Sunday best for the annual Easter egg hunt at Vivian Van Vorst’s beautiful mansion. But this year, Pine Point is looking a bit seedy. The lawn is unkempt, no one is directing traffic, and VV is nowhere to be seen. Worst of all, her grandson, Van Vorst Duff, dressed in a bunny suit, drops dead at the gates of the estate before he can hide a single egg. Lucy Stone (Chocolate Covered Murder, 2011, etc.), ace reporter for the Tinker’s Cove Pennysaver, takes time off from covering the town council meeting to help her colleague Phyllis’ niece Elfrida cater Van’s funeral—giving her plenty of opportunity to snoop. She discovers that VV is being confined to her room and fed nothing but canned nutritional supplement while her granddaughter Vicky Allen and Vicky’s husband, Henry, aided by unscrupulous lawyer George Weatherby, sell off her priceless art treasures. When the Allens give VV’s faithful butler Willis the sack, they have a fight on their hands. Thanks to local attorney Bob Goodman, the trio is brought to trial on charges of elder abuse. Reporters from all over the country choke the streets of Gilead, the county seat. Famous defense attorney Howard Zuzick, representing the Allens, looks as if he might have some tricks up his sleeve. But surprise! Meier drops that plot and instead packs Lucy off on a mission to hunt down VV’s long-lost daughter for former librarian Miss Julia Tilley.
What starts off as Easter eggs ends up as one big, shapeless omelet in Lucy’s feckless 21st.Pub Date: Jan. 29, 2013
ISBN: 978-0-7582-2935-9
Page Count: 304
Publisher: Kensington
Review Posted Online: Dec. 12, 2012
Kirkus Reviews Issue: Jan. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom...
Baltimore in the 1960s is the setting for this historical fiction about a real-life unsolved drowning.
In her most ambitious work to date, Lippman (Sunburn, 2018, etc.) tells the story of Maddie Schwartz, an attractive 37-year-old Jewish housewife who abruptly leaves her husband and son to pursue a long-held ambition to be a journalist, and Cleo Sherwood, an African-American cocktail waitress about whom little is known. Sherwood's body was found in a lake in a city park months after she disappeared, and while no one else seems to care enough to investigate, Maddie becomes obsessed—partly due to certain similarities she perceives between her life and Cleo's, partly due to her faith in her own detective skills. The story unfolds from Maddie's point of view as well as that of Cleo's ghost, who seems to be watching from behind the scenes, commenting acerbically on Maddie's nosing around like a bull in a china shop after getting a job at one of the city papers. Added to these are a chorus of Baltimore characters who make vivid one-time appearances: a jewelry store clerk, an about-to-be-murdered schoolgirl, "Mr. Helpline," a bartender, a political operative, a waitress, a Baltimore Oriole, the first African-American female policewoman (these last two are based on real people), and many more. Maddie's ambition propels her forward despite the cost to others, including the family of the deceased and her own secret lover, a black policeman. Lippman's high-def depiction of 1960s Baltimore and the atmosphere of the newsroom at that time—she interviewed associates of her father, Baltimore Sun journalist Theo Lippman Jr., for the details—ground the book in fascinating historical fact.The literary gambit she balances atop that foundation—the collage of voices—works impressively, showcasing the author's gift for rhythms of speech. The story is bigger than the crime, and the crime is bigger than its solution, making Lippman's skill as a mystery novelist work as icing on the cake.
The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers.Pub Date: July 23, 2019
ISBN: 978-0-06-239001-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK TO SCREEN
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