Some pretty good golf tips from Sal, but that’s about it to hold your attention.
Beard (Dear Zoe, 2005) very faintly echoes Updike at Updike’s weakest in a golf novel about a suburban Pittsburgh lawyer.
Michael, 45, and spunky, beautiful Kelly, 40, who met when she applied to be his secretary, are married and have two lovely daughters. When Michael announces that he wants to train for golf’s senior gold circuit, Kelly agrees to support his ambition if he can score under 70 two times. But then she announces she’s pregnant. Still traumatized by her pregnancy that ended in stillbirth, Michael shows no enthusiasm for having another child, leading Kelly to withdraw from him sexually. Michael’s pharmaceutical stock has taken a sharp turn upward, leading him to believe that he’s about to attain independent wealth. Sexually adrift, he begins frequenting “sexual therapy” center Healing Touch, deluding himself that what he’s offered there does not constitute infidelity. But when he develops a guilty conscience, he tells Kelly all about it, and surprise—she tosses him out. Around the same time, his stock plummets, and to make it all worse, he’s had to move back in with mother and father. He turns to golf, and as he plays under the tutelage of wise and loyal caddy Sal, he reminisces about his romantic and sexual history, trying to figure out where he went wrong and how to get back on track. Now on the golf course, Sal explains to Michael that he has the skill to win but must find the soul to play. As Michael readies for the game of his life, Sal arranges for Michael’s parents and Kelly to make an appearance. With earnest, chapter-introducing quotes from James Taylor, John Steinbeck, et al., the author clearly has sincere pretensions for his characters and story. But his intentions fall flat. There’s no doubt that Kelly is taking Michael back, and that the life he remembers is merely tepid. Time to move on.
Some pretty good golf tips from Sal, but that’s about it to hold your attention.Pub Date: May 8, 2006
ISBN: 0-670-03759-1
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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