Animal lovers and stamp collectors, especially but not exclusively, will be enthralled.
Nothing will deter Sadie from her mission of transporting an elephant to her beloved Great-Aunt Josephine, who “lives almost completely alone and could really use the company.”
When the postmaster brings out a wheelbarrow full of stamps and a calculator, however, the carrot-topped heroine realizes she will need to find an alternative to mailing the pachyderm. She borrows a conveniently located biplane. Insiders will recognize this plane (inverted on the book jacket as it was on the most famous misprint in philatelic history); those who don’t know the reference will just laugh at an upside-down airplane with a goggle-wearing elephant. After it crashes in a river, Sadie boards, in succession, an alligator, freight train (commandeered by bean-eating masked monkeys) and an ice cream truck. When readers finally meet the aunt, it becomes clear that she has been the recipient of many similar presents. Stead’s fans will recognize the unique blend of quirky logic and compassion that drives his persistent wayfarers. Cordell’s carefree lines and dappled watercolors draw viewers in with bold action and tiny touches of humor. Portions of text are treated graphically, and it is likely that “chugga chugga chugga BEANS BEANS BEANS” will linger in children’s lexicons. Stamps do get their moment—in the conclusion and on the seek-and-find case beneath the dust jacket.
Animal lovers and stamp collectors, especially but not exclusively, will be enthralled. (Picture book. 4-7)Pub Date: March 3, 2015
ISBN: 978-1-59643-931-3
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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