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THE KILLER WITHIN

IN THE COMPANY OF MONSTERS

A brave psychological exploration of a writer's craft and terminal illness.

In a tragic turnaround, bestselling true-crime writer Carlo (The Butcher: Anatomy of a Mafia Psychopath, 2009, etc.) was diagnosed with amyotrophic lateral sclerosis (ALS) and is forced to reckon with an entirely new—and inescapable—kind of killer.

A native of the Bensonhurst neighborhood of Brooklyn, notorious for its dangerous Mafioso underbelly, the author has never been a stranger to violence. An early memory details his friendship with a neighborhood teenager who once defended him from a playground bully; a few years later, the author witnessed his murder by the La Cosa Nostra mob family. Because of experiences like this, he writes that “there is no dark street I am afraid to walk down,” an attitude that surely paved the way for the dangerous and dark work he would later dedicate his life to, when “dark streets” would become a metaphor for the gruesome minds he probed as a writer. Serial killers are his specialty, and his crime writing holds nothing back. The same is true for this memoir, in which the narrative alternates between autobiographical vignettes that illuminate how the author became a writer and brutally honest introspection about his diagnosis and search for a cure. ALS is an unforgiving disease, resulting in complete atrophy of the body's muscles. As he composed this book, Carlo was confined to a wheelchair and lacked the use of even his hands. He makes it clear, however, that his strength of will supersedes the physical symptoms, and dictating to an assistant, he continues to write prolifically and refuses to alleviate his discomfort with painkillers. The book he wrote just after his diagnosis, The Ice Man, has now been optioned for a movie, and Mickey Rourke is attached to star. Small comfort, maybe, but it’s an inspiring testament to what the human mind can accomplish in the wake of devastating change.

A brave psychological exploration of a writer's craft and terminal illness.

Pub Date: Dec. 23, 2010

ISBN: 978-1-59020-431-3

Page Count: 256

Publisher: Overlook

Review Posted Online: Sept. 22, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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