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I LOVE YOU, MISS HUDDLESTON

AND OTHER INAPPROPRIATE LONGINGS OF MY INDIANA CHILDHOOD

An agreeable text of easygoing humor that reads like it was written down in a spiral-bound notebook.

A pastor recalls his idyllic youth in America’s heartland.

As Quaker Rev. Gulley (Porch Talk: Stories of Decency, Common Sense, and Other Endangered Species, 2007, etc.) admits, his “is not a careful narrative” of the good old days in a small town down the road a bit from Indianapolis. Danville was evidently a sister village to that depicted in Thornton Wilder’s elegiac Our Town. The Hoosier hamlet also boasted its native “Doc Gibbs.” Corn, cattle and laboratory mice were its chief products. In the style of the late Jean Shepherd, though Gulley is a tad more mannerly, the memoir speaks of bicycles, dogs, an outhouse or two, Halloween mischief, the local funeral parlor and the 4-H Club carnival. His hometown was populated with pals like Suds and Peanuts, relations like Cousin Pooner and sister Chick, assorted citizens like Officer Charley and Orville the grocer. Dad was a gregarious sort and a great bug-spray salesman. Gulley, better known as “Norm and Gloria’s boy,” mowed lawns for Quaker widows, waxed Dad’s car, played pranks, daydreamed about teacher Huddleston and beheld, in awe, the girls of Danville. During those summers past, the latter-day Little Rascals grew into teens with the attendant difficulties of pubescent celibacy. In characteristically candid terms, the author speaks of the lads’ concerns about their “winkies.” He was the bespectacled skinny kid with the big ears, and this regular, everyday boy presents a regular, everyday bucolic confection.

An agreeable text of easygoing humor that reads like it was written down in a spiral-bound notebook.

Pub Date: April 1, 2009

ISBN: 978-0-06-073659-0

Page Count: 208

Publisher: HarperOne

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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