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CROSSING WILDCAT RIDGE

A MEMOIR OF NATURE AND HEALING

Novelist Williams (Blue Crystal, 1993, etc.) presents twined, elemental stories on the havoc of a heart operation and the random, filigreed thoughts of an amateur naturalist exploring his home patch. His family has a history of bum tickers, so it didn’t come as a surprise to Williams when he learned he had Barlow’s Syndrome, a faulty valve. But that was 15 years ago. In the meantime he married, had two children, wrote a few books, bought a house in deeply rural north-central Georgia on a forested ridge above tumbling Wildcat Creek, and steadily approached his dreaded 43rd birthday, an age at which the heart-poor in his family uniformly bowed out. Sure enough, that year he gets news he will need surgery; his valve is shot. He starts to be more attentive, in particular to the land and creatures around his home. His observations are presented as little ruminative comfortings and explorations of the wildflowers, the pink light of stormy weather, the winding sand dunes in the flow of the creek, scrappy blue jays and mesmerizing raptors, earthworms and spiders and honeysuckle. They slowly accrete for him into something more than sense of place and less than the music of the spheres, something deep and mortally inclusive, wherein he endeavors, humbly for the most part, to find a niche. Braided to this curious naturalist is the heart patient, scared and angry, who details the visits to the doctor, the surgery, and the recovery, a process in which he is flayed emotionally and cracked open physically, and vice versa. Depression settles in and moves on only after a prolonged pharmaceutical tithing. Gradually, out of the pain and shadow emerge his family and homestead, and they never looked so good. Williams’s story has a keen immediacy to it, an unmulled flavor. It is all very real and unenviable and touched with the small gestures—his father’s protective shoulder to cry upon, a daughter’s delight in his return—that encourage survival.

Pub Date: March 1, 1999

ISBN: 0-8203-2090-0

Page Count: 240

Publisher: Univ. of Georgia

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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