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MICK JAGGER

Not the definitive Jagger life, but an enjoyable, entertaining biography.

The second, livelier and all-around better of two major unauthorized Jagger biographies (after Christopher Andersen’s Mick) out in time for the Rolling Stones’ 50th year.

A British novelist, music journalist and biographer, Norman (John Lennon: The Life, 2008, etc.) has made a minicareer telling the stories of the two biggest bands in rock history, the Beatles and the Stones, in several big books. (In his introduction to this mostly sympathetic life, Norman writes, plausibly, that these two bands “constitute one single, epic story.”) Whereas Andersen portrayed Sir Mick as a soulless Narcissus or Faust, Norman succeeds at least partly in getting to the middle-class, suburban man behind the myth; he offers a sort of retort to Keith Richards’ Life (as well as most other Jagger biographies) in shining a slightly better light on his subject. The author convincingly debunks legends like the kinky Mars bar tableau at the Redlands drug arrest in 1967 or Jagger’s coldblooded dismissal of Hells Angel violence at the Altamont festival in 1969. Without shying from uncomplimentary facts about his subject’s worst behaviors—mainly his treatment of the “lesser” Stones Bill Wyman and Charlie Watts and his numerous infidelities—Norman consistently provides evidence of Jagger’s better side: his bouts of generosity (particularly toward friends and lovers in need), the sensitivity that frequently drives him to tears, his mutual adoration of his children by several mothers. Tellingly, the 25 years since the Stones’ silver anniversary in 1982 are compressed into the last 90 pages of the 600-page narrative—even Norman seems to lose interest in Jagger apart from the Stones.

Not the definitive Jagger life, but an enjoyable, entertaining biography.

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-194485-7

Page Count: 640

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 5, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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