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MICK JAGGER

Not the definitive Jagger life, but an enjoyable, entertaining biography.

The second, livelier and all-around better of two major unauthorized Jagger biographies (after Christopher Andersen’s Mick) out in time for the Rolling Stones’ 50th year.

A British novelist, music journalist and biographer, Norman (John Lennon: The Life, 2008, etc.) has made a minicareer telling the stories of the two biggest bands in rock history, the Beatles and the Stones, in several big books. (In his introduction to this mostly sympathetic life, Norman writes, plausibly, that these two bands “constitute one single, epic story.”) Whereas Andersen portrayed Sir Mick as a soulless Narcissus or Faust, Norman succeeds at least partly in getting to the middle-class, suburban man behind the myth; he offers a sort of retort to Keith Richards’ Life (as well as most other Jagger biographies) in shining a slightly better light on his subject. The author convincingly debunks legends like the kinky Mars bar tableau at the Redlands drug arrest in 1967 or Jagger’s coldblooded dismissal of Hells Angel violence at the Altamont festival in 1969. Without shying from uncomplimentary facts about his subject’s worst behaviors—mainly his treatment of the “lesser” Stones Bill Wyman and Charlie Watts and his numerous infidelities—Norman consistently provides evidence of Jagger’s better side: his bouts of generosity (particularly toward friends and lovers in need), the sensitivity that frequently drives him to tears, his mutual adoration of his children by several mothers. Tellingly, the 25 years since the Stones’ silver anniversary in 1982 are compressed into the last 90 pages of the 600-page narrative—even Norman seems to lose interest in Jagger apart from the Stones.

Not the definitive Jagger life, but an enjoyable, entertaining biography.

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-194485-7

Page Count: 640

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 5, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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