A worthy biography that doesn’t approach the greatness of its subject.
A biography of the multitalented musician, written with his “tacit approval.”
Unless you know nothing about Paul McCartney or think the Beatles were merely his first backup band before Wings, not much in this account from Norman (Mick Jagger, 2012, etc.)—who has authored biographies of John Lennon, Buddy Holly, and Elton John, among others—will come as news. However, though late to the party, Norman has a couple of things going for him. One is the subject’s tacit approval, useful considering that McCartney has “constructed ramparts of privacy rivaled only by Bob Dylan.” Another is the author’s comprehensive grasp of the existing literature and his sense of what makes a good story. This book is full of good stories, few reflecting poorly on McCartney though sometimes calling his impulses into question, notably with respect to his latter-day marriage to Heather Mills and the mayhem it caused. Mills emerges as the villain of that particular piece, but not without careful evidence and dissection. Elsewhere, Norman repeats well-worn yarns, though sometimes in curious ways. His account of how an apparently throwaway line became the centerpiece of McCartney’s song “Hey Jude” is flat, and his retelling of his subject’s helpful hints on the financial benefits of music publishing lacks the sense of tragic inevitability that we all know lurks nearby. However, Norman has considerable strengths. He understands how complicated the business dealings underlying the Beatles’ Apple Corps were and just how right McCartney was to sue to dissolve that partnership. He also reveals a few little-known facets of Sir Paul’s daily life and interests, including archival talents that would rival any librarian’s, as when Norman takes us to the scene of a “secret underfloor compartment” containing the Hofner bass Paul played at the Beatles’ last performance. There’s plenty on McCartney’s post-Beatles career, of course, but the foursome remains the heart of interest, especially the long rivalry with Lennon.
A worthy biography that doesn’t approach the greatness of its subject.Pub Date: May 3, 2016
ISBN: 978-0-316-32796-1
Page Count: 608
Publisher: Little, Brown
Review Posted Online: Feb. 27, 2016
Kirkus Reviews Issue: March 15, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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