This exacting book adds a cogent historical investigation to the relatively few intelligent books about the father of all serial killers. Sensationalistic distortion and overimaginative theorizing have been part of this anonymous criminal's history since the first contemporaneous tabloid stories on the Whitechapel murders and continue in the inquiries of modern ``Ripperologists.'' For example, the letter signed ``Yours truly, Jack the Ripper'' that christened the legend was probably a journalist's headline-grabbing forgery, perpetuated in more hoax letters from the Ripper-crazed public. British historian Sugden corrects such myths and errors with donnish competitiveness, spending only a little time dispatching the more bizarre hypotheses (such as the recent Ripper diary hoax, the fanciful implication of the royal family in the murders, and the innumerable post-Victorian pseudo-suspects). Avoiding the penny-dreadful archives of Ripperology, he diligently approaches the voluminous police work and forensic evidence on the ``canonical'' four victims, all prostitutes, and an equal number of possible ones. Drawing on previous research and his own, he reexamines the eyewitnesses' testimony, inquest reports, newspaper accounts, and police leads (and red herrings). Although the material is still compelling and timely after a century, Sugden's sometimes sluggish prose and narrative do not bring to life the panicked atmosphere of the East End or the tensions within the police department. In the end, though many inconsistencies are swept away and many ambiguities left warily intact, Sugden produces an approximate modus operandi around which a convincing psychological profile can be constructed. His examination of suspects exonerates previous favorites, such as Michael Ostrog, whom Assistant Chief Constable Melville Macnaghten called a ``mad Russian doctor''; but with even his preferred suspect, a Polish con man and poisoner, he reaches the verdict ``not proven.'' Sugden's factual treatment of the murders provides a meticulous and reasoned profile for readers and future detectives. (Photos and maps, not seen)
Pub Date: Nov. 15, 1994
ISBN: 0-7867-0124-2
Page Count: 512
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
Dramatic, immersive, and wanting—much like desire itself.
Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.
In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.
Dramatic, immersive, and wanting—much like desire itself.Pub Date: July 9, 2019
ISBN: 978-1-4516-4229-2
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: May 19, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Not an easy read but an essential one.
Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.
In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.
Not an easy read but an essential one.Pub Date: Aug. 13, 2019
ISBN: 978-0-525-50928-8
Page Count: 320
Publisher: One World/Random House
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
PROFILES
SEEN & HEARD
SEEN & HEARD
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