A darkly comic, satisfying novel of richly rendered inner tensions played out in interpersonal relationships.
The cycle of satisfaction, frustration, creation, and ennui that dogs artists and scholars alike unfolds in two generations of a Helsinki family.
Max, a sociologist known for his decadeslong work on sex, is turning 60 and struggling to produce a biography of a groundbreaking 19th-century Finnish writer as his legacy. But it’s not just professional respect Max craves; when a young journalist interviews him, “above all, [Max] hoped that he was still sexy.” His marriage to his wife, Katriina, is stale after they’ve raised two grown daughters. Katriina resents that while Max is thinking about a book that never materializes, there’s not much hope he will “show an interest in something other than himself.” She dreams of what she’d like to do for the next 30 years of her life, but what brings her pleasure elicits little interest from her husband. Their younger daughter, Eva, puzzles most of the family when she moves to London to study art—only Max has always predicted this path for her. Yet both Max and Eva are unhappy; Eva questions the meaning of what she does under the tutelage of a burned-out professor with whom she has an affair as her father has a dalliance with the journalist. Eva thinks she will grow into happiness, reflecting that “when her father was her age, he’d already written his doctoral dissertation.” The other Paul sister, Helen, chose a more traditional path as a teacher and mother and often serves as the family observer. When Max’s mother suffers a crisis, bringing the four together, Helen sounds a note reminiscent of Tolstoy: “every family experienced similar scenes that had to be endured, other hospitals with ill relatives, other small towns where a grandmother had suffered a stroke.”A darkly comic, satisfying novel of richly rendered inner tensions played out in interpersonal relationships.
Pub Date: March 8, 2016
Page Count: 304
Publisher: House of Anansi Press
Review Posted Online: Dec. 22, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Pub Date: April 24, 2018
Page Count: 368
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Christina Lauren ‧ RELEASE DATE: April 10, 2018
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Pub Date: April 10, 2018
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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