by Phillip Bannowsky ‧ RELEASE DATE: June 3, 2021
An engrossing, lushly written, sometimes bleak, but often exuberant meditation on human connectedness.
A restless migrant gets ensnared in the war on terror in this labyrinthine poem cycle.
Bannowsky’s poems follow the misadventures of Jacobo Males Bitar, the illegitimate son of an immigrant Lebanese spa owner in Ecuador and his Native Ecuadorian accountant. Born in 1985, Jacobo becomes steeped in his mother’s Inca folk traditions and the lore of his father’s far-flung Maronite Catholic clan. True to his immigrant heritage, Jacobo embarks on his own international picaresque when, entranced by the idea of America, he goes to Delaware on a work visa in 2005 and gets a series of cruddy jobs. After he loses his passport, he’s arrested in an Immigration and Customs Enforcement raid and deported to Lebanon, a country he has never seen. There, he’s taken in by Muhammad Abu Barghouti Hamoudi, a Palestinian whose family lives in a refugee camp. Using money earned by smuggling hashish, Jacobo and Hamoudi get forged Turkish passports and leave Beirut during the Israel-Hezbollah War of 2006. Jacobo winds up in Istanbul, where he is kidnapped, handed over to United States intelligence officials, falsely charged with being a terrorist, and flown to Guantánamo Bay. Intertwined with his travails are poetic sketches of other characters, including his father, Elías; Olga Fisch, a Hungarian Jewish woman who left Europe in the 1930s and opened an Indigenous arts-and-crafts shop in Quito; Lawrence Wells, a U.S. special forces officer whose path repeatedly crosses Jacobo’s; and Leila, a Black American woman who shares a brief romance with the protagonist. Other poems digress into deep history. One explores an effort by the seventh-century Byzantine Emperor Constans II to stamp out theological controversies.
Bannowsky makes Jacobo a modern, global Everyman, adrift with other migrant strivers in a world that seems bent on either exploiting or scapegoating him. Yet Jacobo isn’t isolated. He and other wanderers stay tethered to a remembered past while they search for uncertain opportunities and new relationships—the very essence of the human condition from its ancient beginnings, the author suggests. (“Every Maronite shows haplotype J2, / the gene that presents in all Phoenicia’s costal colonies,” Elías boasts. “Thus, from a hundred streams, / we bear the traits of our great ancestors.”) Bannowsky’s characters explore these themes in a profusion of distinctive voices, from the stolid bureaucratese of Jacobo’s Guantánamo interrogators—“History of anxiety and depression: bi-polar symptoms including delusions of being a U.S. Citizen, an American Indian, or an ‘Otavalo from Ecuador’—to Leila’s wary rap soliloquy. (“Whatchu know about my people; / watchu know about the street? / You see a pusher for a preacher / and a hustler for a teacher / in every brother that you meet?”) The author’s poetry mixes quirky erudition with perfectly pitched demotic speech that jumbles street slang with pop genetics and doughnut recipes. His verse captures even a poultry plant with an evocative lyricism (“Like a lone star in the manurey firmament that was / the warehouse, a single light bulb shown / on thousands of white chickens across a sea of dark dirt; they / roiled softly like expiring foam, / clucking mild reproaches at our approach”). The result is an entertaining, soulful verse tale of people trying to find their places in the world.
An engrossing, lushly written, sometimes bleak, but often exuberant meditation on human connectedness.Pub Date: June 3, 2021
ISBN: 978-0-9788451-5-5
Page Count: 132
Publisher: Broken Turtle Books LLC
Review Posted Online: Oct. 27, 2021
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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