by Phillip Lopate ‧ RELEASE DATE: Feb. 12, 2013
A master class on the pleasures of the English language well-wrought—a useful complement to his guide on writing literary...
Esteemed essayist and poet Lopate (At the End of the Day: Selected Poems and an Introductory Essay, 2010, etc.) offers “a motley collection of essays, personal and critical,” loosely tied together around the theme of “the discovery of limitations, and learning to live with them.”
The author divides the essays into sections devoted to family, daily life, city spaces and literary concerns. Yet there is a single “sensibility flowing through disparate subject matters,” that of the good-humored cynic and gentle contrarian. In the first essay, the simple event of Lopate’s daughter losing a balloon presents evidence that life is, in the end, “loss, futility, and ineluctable sorrow.” In another essay, the author concludes that being a baseball fan “means learning to absorb failure and be on a friendly footing with defeat.” And so it goes through essays on sex, marriage, film, writing, politics, the Bible and more. Lopate leaves behind at times the purely personal with telling essays on film and literature. He moves from revisiting Ginsberg’s Howl to thoughts on a wide variety of writers, including Charles Reznikoff, Leonard Michaels, Stendhal and others. No matter the topic, however, another constant throughout is fine writing; the words Lopate chooses are the only words that will do. “The interruptive nocturne of clinics” perfectly captures nights on the pediatric ward where his daughter spent so much of her infancy. Brooklyn, he muses in a paean to his beloved hometown, has “a touch of the amateur, voluntary, homemade about the place.” In a concluding essay, Lopate confesses that writing is his life. Readers are well-rewarded for his obsession.
A master class on the pleasures of the English language well-wrought—a useful complement to his guide on writing literary nonfiction, To Show and to Tell, which will publish simultaneously.Pub Date: Feb. 12, 2013
ISBN: 978-1-4516-9586-1
Page Count: 304
Publisher: Free Press
Review Posted Online: Nov. 11, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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