A convincing melodrama in which the victim takes charge.
The fictional memoir of an actual madam who ruled Gold Rush–era San Francisco.
Except for her extraordinary beauty, Arabella Godwin is no different from any well–brought-up young lady in New York City circa 1837. Then misfortune intervenes: Her mother dies of consumption, her father kills himself, and instead of taking in the new orphans, her wealthy grandfather sends her two older siblings to boarding school and Arabella and youngest brother Lewis to the chilly confines of a hardscrabble farm in the Finger Lakes town of Livy. There, Arabella’s Aunt Agatha and Uncle Elihu force the orphans to endure a new life of endless chores and frequent corporal punishment. Gradually, Arabella adjusts with the help of a teenage romance with Jeptha, an angelic looking drunkard’s son—whom her scheming cousin Agnes also loves. However, when Jeptha gets religion and Arabella is raped by her brutish cousin Matthew, the resulting pregnancy and induced miscarriage will propel her out of Livy. After a brief stint as a millworker, Arabella returns to New York City to rescue Lewis, who’s been stabbed. Eventually, supporting ne’er-do-well Lewis forces Arabella into prostitution—it’s the only way to secure large amounts of money quickly. Aided by a newspaperman client, Arabella exposes the corrupt policeman and the ward boss who had persecuted Lewis and cheated her. When she learns that her grandfather and older brothers are searching for her, she avails herself of this last chance to leave “the life” behind, but freeing herself completely will involve murder. Now married to preacher Jeptha, with whom she has been reunited after managing to wrest him away from her rival, Agnes, Arabella heads for California. The couple’s mission is to convert San Francisco miners, and since Arabella has been intercepting Agnes’ letters, Jeptha remains, so far, ignorant of her fall from grace. Margulies’ recreation of Arabella’s milieu and astute observations of the hypocritical sexual mores of a bygone time lend resonance to this episodic epic.
A convincing melodrama in which the victim takes charge.Pub Date: Jan. 7, 2014
ISBN: 978-0-385-53276-1
Page Count: 608
Publisher: Doubleday
Review Posted Online: Oct. 5, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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