Up-and-down humor that sometimes gets to the heart of the realities of being black in America.
A black female comedian lays it all out there.
Stand-up comic and co-star of the WNYC podcast 2 Dope Girls, Robinson has a lot to complain about, starting with the need people have to touch her hair. In case readers fail to pick up on her humorous vibes regarding hair, the author includes a second chapter on the history of black hair in film, TV, and other media. Throughout the book—a hybrid of humor, truth-telling, and poking-fun-at-life-in-general—Robinson delves into what it means to be a woman and black and, more importantly, a black woman in today’s American society. Filled with references to pop culture and plenty of hashtags, the narrative addresses issues like how to avoid being the one black friend in a group of white people, the difficulty of being hired to play a role in a show because you’re either too black or too light, and why NFL players need to treat women better. She gives readers her list of nine guilty pleasures (No. 1: “Ranking Members of U2 in the Order of Whom I Want to Sleep With”; The Edge is first) and a list of demands for a future female president, including penalizing those who perpetuate the thigh-gap obsession. She also explains why “Lisa Bonet is Bae. Queen. Jesus” and waxes poetic on why she takes her laundry home to her parents’ house. “If a person were to play [the dryer] in a movie—don’t ask me why—it would be played by Meryl Streep,” she writes. “The dryer is that damn good.” Although the humor is forced and tiresome in places, Robinson does hit the mark on some important issues, and fans of her podcast will enjoy the book.
Up-and-down humor that sometimes gets to the heart of the realities of being black in America.Pub Date: Oct. 4, 2016
ISBN: 978-0-14-312920-2
Page Count: 320
Publisher: Plume
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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