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SIGH, GONE

A MISFIT'S MEMOIR OF GREAT BOOKS, PUNK ROCK, AND THE FIGHT TO FIT IN

A highly witty and topical read—an impressive debut.

A high school Latin teacher and tattoo artist’s memoir about immigrating to small-town America from Vietnam and learning to fit in through reading, skateboarding, and punk rock.

Tran and his parents fled Saigon as war refugees in 1975, and they eventually settled in Carlisle, Pennsylvania. There, they became the lone Asians in a town that “offered all the rainbows of Caucasia.” Local children taunted Tran throughout childhood while neighbors and co-workers saw his parents as amusing curiosities or “symbols of a painful and confusing war…of the people who had shot at them and killed their friends, brothers, and sons.” As he neared adolescence, Tran decided that he could solve his problems by trying to “be less Asian.” First, he developed “social Teflon” by earning top grades in all his classes, deciding that he “would take nerd props over no props at all.” He further learned to deemphasize his otherness by joining the skateboarding subculture as a young teen and adopting a punk persona. Even though he was a good student, however, the author sometimes came up short of parental expectations for perfection, with excruciatingly painful results. During his junior year of high school, he stumbled across a guide to classic literary texts touted as “the foundation for being ‘all-American.’ ” Eager to assimilate, Tran immersed himself in works like The Metamorphosis and The Importance of Being Earnest. He became more self-reflective and developed an unexpected passion for books, which he highlights by naming each chapter after a favorite work of literature (Madame BovaryPygmalion, etc.). At the suggestion of a history teacher, Tran read The Autobiography of Malcolm X, which heightened his awareness of white racism toward Asians and of the racism he saw in his own father toward blacks. Funny, poignant, and unsparing, Tran’s sharp, sensitive, punk-inflected memoir presents one immigrant’s quest for self-acceptance through the lens of American and European literary classics.

A highly witty and topical read—an impressive debut.

Pub Date: April 21, 2020

ISBN: 978-1-250-19471-8

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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