A refreshing, original American tall tale. Root (All for the Newborn Baby, p. 1431, etc.) is a master of storytelling: with simple language, predictable rhythms and repetition, and flawless pacing, this story begs to be read aloud, again and again. Mama May had a magic cow, lovely Luella, whose milk never failed. The secret was that Mama May sang to her to get enough milk to feed her many children; sang again to stop the flow; then thanked Luella with a kiss on her velvety brown nose. Mama May’s daughter Annalisa “wasn’t the youngest, and she wasn’t the oldest, but she was the most curious and the most stubborn.” So despite her mother’s warnings, Annalisa just had to milk that cow. Annalisa sang the songs and milked the cow—but she didn’t kiss the cow. When Luella did not give milk, Mama May knew whom to suspect. Even though Mama May patiently requested, and the hungry siblings begged, Annalisa, who was as stubborn as she was curious, refused to kiss the cow. Hillenbrand’s (Down by the Station, 1999, etc.) illustrations are of mixed dry media: colored pencil, chalk, and ink layered on vellum, a technique that creates a richness and depth of field and gives an almost marbleizing texture to the figures. He presents a variety of visual perspectives, including sweeping landscapes and homey indoor vignettes. And his immense attention to detail is gratifying, portraying the humor and pathos of the story. A satisfying treat—from the front endpapers, which depict a multitude of children jumping from a hayloft to the final endpapers of satiated faces with milk mustaches. Certain to be a hit with kids and adults, this deserves a big smooch. (Picture book. 3-6)
Pub Date: Nov. 1, 2000
ISBN: 0-7636-0298-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...
A polar-bear parent speaks poetically of love for a child.
A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-1-68010-070-9
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Willems’ formula is still a winner.
The pigeon is back, and he is filthy!
Readers haven’t seen the pigeon for a couple of years, not since The Duckling Gets a Cookie!? (2012), and apparently he hasn’t bathed in all that time. Per the usual routine, the bus driver (clad in shower cap and bathrobe) opens the story by asking readers to help convince the pigeon to take a bath. Though he’s covered in grime, the obstreperous bird predictably resists. He glares at readers and suggests that maybe they need baths. With the turn of the page, Willems anticipates readers’ energetic denials: The pigeon demands, “YEAH! When was the last time YOU had a bath?!” Another beat allows children to supply the answer. “Oh.” A trio of flies that find him repulsive (“P.U.!”) convinces him it’s time. One spread with 29 separate panels depicts the pigeon adjusting the bath (“Too wet!…Too cold.…Too reflective”) before the page turn reveals him jumping in with a spread-filling “SPLASH!” Readers accustomed to the pigeon formula will note that here the story breaks from its normal rhythms; instead of throwing a tantrum, the pigeon discovers what readers already know: “This is FUN!” All the elements are in place, including page backgrounds that modulate from dirty browns to fresh, clean colors and endpapers that bookend the story (including a very funny turnabout for the duckling, here a rubber bath toy).
Willems’ formula is still a winner. (Picture book. 3-6)Pub Date: April 1, 2014
ISBN: 978-1-4231-9087-5
Page Count: 40
Publisher: Hyperion
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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