by Pierre Birnbaum & translated by Jane Marie Todd ‧ RELEASE DATE: Oct. 1, 2002
Timely, given the recent swell of xenophobia in France, and a useful supplement to standard histories of the episode, such...
Liberty, equality, and fraternity? For everyone but Jews—as much of France strenuously believed a century ago, according to this provocative study of anti-Semitism.
Birnbaum (Political Philosophy/the Sorbonne) is not a historian as such; as he writes at the outset, “this tour of anti-Semitic France turns its back on meticulous research methods, on the desire to explain, to choose the sample with great care, with the goal of providing proof, quantifying, demonstrating how the variables were constructed, and reaching definitive conclusions.” He adds, sounding a bit like Inspector Clouseau, “I shall build my account on everything and on nothing.” Fortunately, there’s plenty of that everything in Birnbaum’s pages, as he turns over archive after archive to reconstruct how ordinary French people behaved during the shameful, 12-year Dreyfus Affair and the subsequent persecution of Dreyfus’s renowned defender, the novelist Émile Zola. In the main, the French people, he writes, responded badly, taking the occasion of the charge that French Jewish officer Alfred Dreyfus had spied for the Germans to initiate anti-Semitic demonstrations—and, in some cases, anti-Semitic violence—throughout the nation. Vigorous protests swept through Paris early in 1898, he writes, with cries of “Out with Zola! Death to the Jews! Death to the Yids! Long live the army!” These protests spread quickly to every corner of the country, so that even in rural villages, newspapers were printing scurrilous warnings of this ilk: “Beware, all Jews of Feverney and Jussey, if you do not want to be scalded alive like the animals whose flesh you refuse to eat.” In time, writes Birnbaum, this vicious outpouring ebbed—thanks in at least some measure to the behavior of the national police, who, while no friend of the Jews, took its responsibility to uphold the law seriously. Anti-Semitic sentiment remained, however, to find new and deadly expression with the arrival of fascism three decades later.
Timely, given the recent swell of xenophobia in France, and a useful supplement to standard histories of the episode, such as Jean-Denis Bredin’s The Affair.Pub Date: Oct. 1, 2002
ISBN: 0-8090-6501-0
Page Count: 352
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by Pierre Birnbaum & translated by M.B. DeBevoise
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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