Pudgy is a lovable pup in this simple tale. Pudgy and a little girl named Lucy are both shy characters who are left out of the group. This makes them sad, and as a result “then Pudgy is bad,” getting into mischief with stolen snacks, spilled milk, and muddy paw prints on the sofa. Pudgy runs away and the two little lost souls find each other in the woods, become friends, and decide to stay together. In six sentences, spread through the pages in phrases, Goodhart addresses a range of universal emotions. Church provides appealing, uncluttered illustrations in muted shades and simple shapes, with a collage effect in the subtly shaded backgrounds. Pudgy and Lucy have huge eyes and large heads, and the illustrator’s flat, simple style makes them look like toys who have come to life. Older toddlers making the transition from board books to real stories are a natural audience for this effort, but the satisfying story and the volume’s large size will also work for preschool or kindergarten story hours about dogs or friendship. (Picture book. 1½-5)
Pub Date: April 1, 2003
ISBN: 0-439-45699-1
Page Count: 32
Publisher: Chicken House/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
The greeting-card art and jokey rhymes work for the baby-shower market but not for the youngest readers.
Animal parents declare their love for their offspring through rhymed puns and sentimental art.
The title sets the scene for what’s to come: The owl asks the owlet as they fly together, “WHOO loves you?”; the kangaroo and joey make each other “very HOPPY”; and the lioness and cub are a “PURRRFECT pair.” Most of the puns are both unimaginative and groanworthy, and they are likely to go over the heads of toddlers, who are not know for their wordplay abilities. The text is set in abcb quatrains split over two double-page spreads. On each spread, one couplet appears on the verso within a lightly decorated border on pastel pages. On the recto, a full-bleed portrait of the animal and baby appears in softly colored and cozy images. Hearts are prominent on every page, floating between the parent and baby as if it is necessary to show the love between each pair. Although these critters are depicted in mistily conceived natural habitats and are unclothed, they are human stand-ins through and through.
The greeting-card art and jokey rhymes work for the baby-shower market but not for the youngest readers. (Board book. 6 mos-2)Pub Date: Jan. 7, 2020
ISBN: 978-1-7282-1374-3
Page Count: 24
Publisher: Sourcebooks Wonderland
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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