Sweeping and grand, this personal take on a familiar story is an engaging success.
A much-longer-than-typical picture book about the Mayflower’s first landing in America and its aftermath, told through the eyes of one of its passengers.
Based on historical fact, this feast of a book, the first illustrator Lynch has authored as well, will captivate readers from its opening double-page spread. Lynch’s masterful watercolor and gouache illustrations—harkening back to the grand style of Howard Pyle and N.C. Wyeth—bring to life the true story of indentured servant John Howland, who sailed on the Mayflower with his master in 1620. Howland’s narration relates the difficult ocean crossing and how, in a storm, he is swept overboard but miraculously rescued. Once land is reached, however, Howland and the other settlers find their difficulties have begun in earnest. Winter weather, lack of food, sickness, and aggression toward the native peoples all contribute to the demise of more than half the original settlers. But spring comes, the native people offer help, and the familiar Thanksgiving story is broached. What sets this book apart from myriad Pilgrim stories is Howland’s personal point of view, which helps readers enter into the tenor of the time, when the settlers’ religious faith both motivated and sustained them, and the dramatic illustrations with their expert play of expression, composition, and light.
Sweeping and grand, this personal take on a familiar story is an engaging success. (bibliography, author’s note) (Picture book. 6-14)Pub Date: Sept. 22, 2015
ISBN: 978-0-7636-6584-5
Page Count: 64
Publisher: Candlewick
Review Posted Online: June 15, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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