by P.J. O’Rourke ‧ RELEASE DATE: April 1, 1992
Flush with the success of his gonzo attack on big government- -last year's Parliament of Whores—the self-proclaimed ``Republican Party Reptile'' here collects his recent articles, mostly from Rolling Stone and The American Spectator. O'Rourke finds a certain singularity of purpose in his ongoing fight against evil, which he defines loosely as communism, Iraq, and liberals. Hardly as bully or bellicose as his title suggests, these essays nevertheless take no prisoners. At his best when goofing off across the globe, O'Rourke reminds us that most of the world isn't worth visiting. Not East Berlin after the Wall came down; not Russia before and after the failed coup; and certainly not Northern Ireland, with its ``acceptable level of violence.'' In Nicaragua, O'Rourke celebrates the defeat of Ortega and his North American sympathizers, those ``Birkenstock Bolshies.'' In Paraguay, during their elections, he discovers an unlikely outbreak of democracy and freedom. And in the Persian Gulf throughout the war, he notices that it's the first conflict ever covered by sober journalists. For all the governmental silliness, O'Rourke finds lots of good cheer and patience among the enlisted men. And his post-Vietnam sensibility emerges in liberated Kuwait City, which looks like ``the fall of Saigon with the film run backward.'' The domestic enemies here include: politically correct rock-and-rollers; Lee Iacocca (``conceited big-mouth gladhanding huckster''); Jimmy and Rosalyn Carter (``prissy old ratchet-jaw hicks yammering away about nothing''); and the Kennedys (``a large and dirty family''). O'Rourke treats Dr. Ruth rather gently, while he declares ``the sexual revolution is over and the microbes won.'' Other essays chart his turn from the radicalism of his youth; celebrate cars over people; condemn drug testing; and call for a new, improved McCarthyism. O'Rourke is an antitourist of revolution, a capitalist John Reed who delights in breaking every ``rule'' of journalism, especially staying sober. You don't have to share his peculiar, right-wing politics to love his fuel-injected prose—but it helps.
Pub Date: April 1, 1992
ISBN: 0-87713-520-5
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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