Not for the squeamish, this book will appeal to readers unafraid of adjectives or an investigation of the unnatural.

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THE TAXIDERMIST'S LOVER

A gothic romance with a self-fulfilling title.

Hall’s first novel, set in the rural wetlands of South West England, is as strange as it is disturbing. Scarlett is the narrator and the significantly younger lover of a skilled taxidermist named Henry, to whom she addresses this story. It's her highly personal confessional tone, exposed internal conflicts, grotesque dreams, and desires that draw the reader in—but it's her constant reference to Henry as “you” that cements the too-close discomfort that permeates the novel (“You messed with nature” or “When we made love, I’d somehow taste the essence of the creatures you’d been handling”). Hall wastes no time revealing the couple’s odd predilections. In Chapter 1, they begin to imagine the possibility of “mystical menageries” instead of the traditional taxidermy (a “crabbit” is the combination of a crow and a rabbit; a “stox” is a red fox with a stork’s wings). “The market is dwindling. It’s all high-brow conceptual stuff nowadays,” Scarlett rationalizes. Though a few other characters enter the tale—the world’s best taxidermist Felix De Souza, Penny the flirtatious neighbor, and Scarlett’s twin brother, Rhett—Scarlett’s obsessions are central at all times. While it's clear from the start that this tale cannot end happily, the last quarter is the most propulsive, even if readers might be disappointed by the predictability of the ending.

Not for the squeamish, this book will appeal to readers unafraid of adjectives or an investigation of the unnatural.

Pub Date: Dec. 8, 2020

ISBN: 978-0-7443-0037-6

Page Count: 272

Publisher: CamCat Books

Review Posted Online: Oct. 14, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Follett's fans will enjoy this jaunt through the days before England was merry.

THE EVENING AND THE MORNING

Murder, sex, and unholy ambition threaten to overwhelm the glimmers of light in Dark Ages England in this prequel to The Pillars of the Earth (1989).

A Viking raid in 997 C.E. kills Edgar’s one true love, Sungifu, and he vows never to love another—but come on, he’s only 18. The young man is a talented builder who has strong personal values. Weighing the consequences of helping a slave escape, he muses, “Perhaps there were principles more important than the rule of law.” Meanwhile, Lady Ragna is a beautiful French noblewoman who comes to Shiring, marries the local ealdorman, Wilwulf, and starts a family. Much of the action takes place in Dreng’s Ferry, a tiny hamlet with “half a dozen houses and a church.” Dreng is a venal, vicious ferryman who hurls his slave’s newborn child into a river and is only one of several characters whose death readers will eagerly root for. Bishop Wynstan lusts to become an archbishop and will crush anyone who stands in his way. He clashes with Ragna as she announces she is lord of the Vale of Outhen. “Wait!” he says to the people, “Are you going to be ruled by a mere woman?” (Wynstan’s fate is delicious.) Aldred is a kindly monk who harbors an unrequited love for Edgar, who in turn loves Ragna but knows it’s hopeless: Although widowed after Wilwulf’s sudden death, she remains above Edgar’s station. There are plenty of other colorful people in this richly told, complex story: slaves, rapists, fornicators, nobles, murderers, kind and decent people, and men of the cloth with “Whore’s Leprosy.” The plot at its core, though, is boy meets girl—OK, Edgar meets Ragna—and a whole lot of trouble stands in the way of their happiness. They are attractive and sympathetic protagonists, and more’s the pity they’re stuck in the 11th century. Readers may guess the ending well before Page 900—yes, it’s that long—but Follett is a powerful storyteller who will hold their attention anyway.

Follett's fans will enjoy this jaunt through the days before England was merry.

Pub Date: Sept. 15, 2020

ISBN: 978-0-52-595498-9

Page Count: 928

Publisher: Viking

Review Posted Online: July 1, 2020

Kirkus Reviews Issue: July 15, 2020

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