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THE YUMMY MUMMY

Others have handled the “new mommy” story more capably.

PR executive muddles her way through maternity leave.

Amy Crane used to be a take-charge kind of woman. She managed coveted accounts from her desk at a swank British public-relations agency and had steamy sex with her boyfriend, Joe. One wild night sans birth control changes everything. Now Amy’s got a new boss: her infant daughter Evie. And Evie is a demanding mistress. In an all-too-familiar plot development, poor sleep-deprived Amy can’t seem to get the hang of motherhood. She is sinking into the abyss of maternity leave, and her sex life is nonexistent. Joe’s mysterious behavior serves to exacerbate Amy’s delusions of inadequacy. She’s convinced that Joe’s getting action elsewhere, and she longs to get a grip on her out-of-control life. Amy’s crew of mom-friends from her childbirth class can’t provide any help—they’ve all resigned themselves to wearing matronly clothes and devoting their lives to their offspring. Amy can’t accept this lifestyle, and soon she connects with Alice, a yummy mummy. Alice has lost all her baby weight, has perfectly groomed eyebrows and gets plenty of sexual attention from men. Always one for a shopping spree and makeover project, Alice takes on “Project Amy” and sets about transforming her from a wallflower into a Victoria Beckham–style mom. Once Project Amy is underway, Joe becomes distraught, claiming he wants his familiar girlfriend back. As Amy experiences a sexual reawakening, jealousy rears its head. If Joe and Amy can’t stop bickering and start communicating, their family could disintegrate. Williams, a journalist living in London, takes on many conventional themes in her first stab at fiction. Though there are some clever and endearing moments between mother and child, the bulk of the book is as appealing as reheated leftovers.

Others have handled the “new mommy” story more capably.

Pub Date: Jan. 2, 2007

ISBN: 1-4013-0231-9

Page Count: 384

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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