A poignantly intimate, revelatory read for Prince fans and music lovers.
A legendary musician and the co-author he chose three months before his death sketch a tantalizing half-finished self-portrait in both words and images.
When Prince died in 2016, he left behind 30 pages of a memoir that his co-writer, Paris Review advisory editor Piepenbring (co-author: Chaos: Charles Manson, the CIA, and the Secret History of the Sixties, 2019), had annotated with the singer’s own expansions and that Prince had intended as a “handbook for the brilliant community: wrapped in autobiography, wrapped in biography.” Remaining scrupulously faithful to that vision, Piepenbring pieces together Prince’s memoir fragments with never-before-seen memorabilia the editor helped excavate from the singer’s Paisley Park vault in Chanhassen, Minnesota. The book opens with Piepenbring’s warm remembrances of their brief association and statement of mission. Though unfinished, the memoir, which is divided into four parts, was to have set forth what Prince called an “an unconventional and poetic journey” that celebrated the creative freedom he prized above all else. Prince remembers the glamorous parents who raised him and whose interpersonal conflicts later fueled much of his creative output. He also reminisces about his hometown, Minneapolis, his worship of his musician father, and his first loves, music being chief among them. The second section, “For You,” consists of photographed images—at once funny and supremely personal—of a scrapbook Prince kept in the years preceding his first album, For You (1978). In “Controversy,” Piepenbring traces the creative work that followed For You and preceded Purple Rain (1984) with images of both the singer and lyrics—complete with Prince’s doodles and corrections—to such classics such as “1999.” The final section, “Baby I’m a Star,” features both handwritten treatments for Prince’s semiautobiographical film, Purple Rain, and Piepenbring’s typewritten version. Laced throughout with quotations from Prince interviews, this visually stunning labor of love reveals the shy, vulnerable man behind the glitz and controversy without ever “punctur[ing] the veil of mystery around him.”
A poignantly intimate, revelatory read for Prince fans and music lovers.Pub Date: Oct. 29, 2019
ISBN: 978-0-399-58965-2
Page Count: 288
Publisher: Spiegel & Grau
Review Posted Online: Oct. 29, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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