A candid memoir that both embraces and remains captive to the Elvis legacy.
Navigating life beyond the King’s shadow.
In the nearly half-century since Elvis Presley’s death, the public’s persistent fascination with the King of Rock ’n’ Roll has sustained attention for those within his orbit. Priscilla Presley, having gained renewed visibility following Baz Luhrmann’s Elvis and Sofia Coppola’s Priscilla—the latter based on her 1985 memoir, Elvis and Me—returns once more to this well-traversed narrative. She recounts their courtship (beginning when she was 14 and Elvis 24) through their brief six-year marriage that ended with her quest to forge an identity beyond Elvis’ influence: “I left the love of my life because I could no longer endure our way of life. I had to find my own life before I could figure out how Elvis fit into it. I left as gently as I could, but there was no way to do it without pain.” The memoir eventually shifts focus, chronicling her subsequent journey—love affairs; an acting career that included roles on Dallas and in The Naked Gun movies; raising daughter Lisa Marie and son Navarone; her relationships with her four grandchildren (including actress Riley Keough); and profound family tragedies, including the deaths of her grandson Benjamin and Lisa Marie. “The Presley family has endured a particularly painful kind of loss….For generations, we Presleys have had to bury our children.” While maintaining an engaging voice throughout and offering colorful anecdotes about her entertainment career and personal life, the memoir nonetheless reveals an underlying reality: Even decades later, her narrative and public identity remain inextricably tethered to her famous ex-husband, a connection this latest work both acknowledges and reaffirms. “The more than four decades of living without him have taught me how rare and extraordinary he was as a human being. How rare and extraordinary our love for each other was. I have never felt anything remotely like it since.”
A candid memoir that both embraces and remains captive to the Elvis legacy.Pub Date: Sept. 23, 2025
ISBN: 9780306836480
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: May 28, 2025
Kirkus Reviews Issue: July 1, 2025
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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