Frothy, sexy fun despite its flaws.
Purdu’s sprightly debut romance follows one woman’s quest for the “Big O”—and the love she finds along the way.
Twenty-seven-year-old Austin pianist Desdemona Lorents is relaxing at home one Saturday night when she’s shocked to see her ex-boyfriend, Burt, and his wife on Marriage Exposure, a trashy talk show whose guests spill juicy details about their sex lives. To Desdemona’s horror, the conversation turns to her—and Burt reveals on national television that she faked all her orgasms. Even more humiliating? It’s true. Now that her secret’s out, Desdemona’s more determined than ever to prove to herself she isn’t a “freak.” Maybe she’s been with the wrong men? She has a one-night stand with Miguel San Felipe Rodriguez, a charming classical guitarist. She experiments with Ross, a “sweet, handsome systems engineer” and her only adult piano student, who lets her tie him up and take control. But orgasm still eludes her. Her high school sweetheart, Hunter Johns, comes back into her life. They haven’t seen each other for nine years, ever since he took the rap for his mother’s embezzlement and was sent to juvenile detention. Before long, the old flame has rekindled—but is it enough to overcome Desdemona’s problem? Purdu gives a voice to the many women who can’t achieve orgasm with a partner—and who rarely, if ever, see themselves in romance novels. Desdemona’s internal monologues are funny and relatable, especially during sex: “What will he do next? Take off my dress? Take off his own clothes? Where does he keep condoms? What if he doesn’t want to use a condom? Should I ask now? My armpits get moist….Is my deodorant still working?” However, and it’s hard to avoid spoilers here, readers may feel that the finale begs for more emotional nuance.
Frothy, sexy fun despite its flaws.Pub Date: Nov. 27, 2016
ISBN: 978-0-692-78097-8
Page Count: 218
Publisher: CreateSpace
Review Posted Online: March 4, 2017
Kirkus Reviews Issue: April 15, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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