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NEVERWORLD

A COLLECTION OF STORIES

An imaginative if not always affecting collection of gothic stories.

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People attempt to escape their surreal and suffocating situations in Raney’s debut collection of short fiction.

Some people are just cursed—pursued throughout their lives by the ramifications of early mistakes. A pair of lovers spends years robbing houses to feed their heroin habit, until one day their luck runs out. An old Indigenous veteran, scarred by his experiences during the war, leaves his flophouse during a snowstorm in order to visit his “family.” A librarian working on Christmas Eve learns that a bitter former lover—the father of the secret child she bore out of wedlock and gave to her mother to raise—has been stalking her around town. Across a dozen stories, Raney follows his luckless and benighted characters as they attempt to wrest control of their lives back from the hands of fate. The family of a newborn baby awaits the arrival of a certain “Cutter” to perform a disturbing ritual. An empathetic prince seeks to stop the monsters who routinely attack his small kingdom, killing and eating his subjects. “A dinner party celebrating the fall harvest would commence and from over the horizon, smoke would rise from a village that had been assaulted by dragons,” Raney writes with grim understatement. “Leo’nard’s attention would be distracted by the clappity sound of a horrendous giant as it trod upon a hapless peasant.” The collection is dominated by two nearly novella-length stories, “The Hippo” and “El Monstruosidad.” The first follows a man whose life is average in every way other than the fact that a 1,200-pound hippopotamus floats above him wherever he goes, blocking out the sun. At the age of 39, the man decides that he needs to find his life’s purpose—and also the reason for the “symbiotic hippo,” which he has never really questioned until that point. In the latter story, a teenage girl with braces on her legs grapples with strange occurrences in and around her aunt and uncle’s house, including the appearance of a frightening beast.

Raney’s prose always sets the mood, whether it’s a claustrophobic gothic tale replete with dank alleys and festering secrets, or a fable told from a slightly ironic distance. “Another reason Charlie hesitated to sever his bond was that he was concerned the hippo might be hurtled into space if he did,” he writes of his hippopotamus-haunted character. “What if Charlie were the only reason the hippo was able to maintain its hold on the planet? Could Charlie’s destiny be to provide an anchor for the hippo?” With its brilliant premise and playful existentialism, “The Hippo” is by far the best of these tales, and a genuine treat to read. Some of the others, however, read more like vignettes, presenting intriguing scenarios without ever developing emotionally satisfying narrative arcs. Raney excels at mood, and he can conjure phantasmagoric situations, but more often than not, he fails to find a relatable, human heart beating in the chest of his shuffling creations.

An imaginative if not always affecting collection of gothic stories.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: March 7, 2025

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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