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HALF-LIFE OF A STOLEN SISTER

Intriguingly odd with a few surprising insights.

An antic novel follows the Brontë siblings through an alternate version of their lives.

Cantor transports her characters (here called the Bronteys), complete with 19th-century diction and sensibilities, into a hazily 20th-century version of what seems to be—though it is never explicitly labeled—New York. Her skewed take on their lives plays fair with their limited life spans and general relationships to each other and the world while throwing them into a setting replete with bagels, McMansions, subways, television, and soy milk. The structure of the novel is playful, patching together email exchanges—including deleted emails—letters, scenes from plays, passages from memoirs of all the Bronteys, an advertisement for a replacement wife from father Paddy (“I am an upright man with a rent-controlled apartment,” he notes), plenty of time with older sisters Maria and Elizabeth, who died as children, and some not unexpected scorn for feckless “Only Boy” Branwell. While everyone in the family, and several characters outside it, gets a say, Charlotte is granted the largest amount of time on the page, and not just because she survives longer than most of the others. Her love affair with a teacher (here transposed to Rome) and her relationships with several later, though not as beloved, suitors take up a good deal of the narrative space. Emily, who will be an object of fascination for many readers, remains largely opaque apart from a few cryptic passages. The novels themselves, with names like The Heights and Surely! receive far less attention than the lives. While it's possible the novel could stand on its own, it will be best appreciated by readers with a relatively thorough knowledge of the Brontës, who will be able to spot the gaps and parallels between real biographical events and their fictional transformations.

Intriguingly odd with a few surprising insights.

Pub Date: July 11, 2023

ISBN: 9781641294645

Page Count: 384

Publisher: Soho

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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