These moments add up to a fresh if sidelong look at American letters, and to a work that culturally minded readers will...
Or, six degrees of Walt Whitman: a lively work of American cultural history that follows trails of acquaintanceship and influence across the generations.
Back when the world was larger but the numbers of people within it smaller, it was possible for men and women of culture to seek one another out and, by the mere act of meeting, constitute a movement of sorts that could have all manner of strange reverberations. Consider that William James once suffered an attack of angina while walking through the streets of Vienna with Sigmund Freud, at about the time Leo Stein was wandering through the hills of Tuscany with Bernard Berenson; having just read James’s Principles of Psychology, Stein was well armed with arguments to berate his sister Gertrude for “writing only on the surface and . . . lacking psychological depth,” a charge Gertrude would later level at Ernest Hemingway. Or consider the poet Marianne Moore’s meetings with the artist Joseph Cornell, who took time out from his infatuations with Marcel Duchamp and Marlene Dietrich to court her, later ruefully remarking to his sister, “You know, I was thinking, I wish I hadn’t been so reserved”; Moore turned away Cornell’s offer of marriage, but, late in life, developed crushes on Norman Mailer and Muhammad Ali, casually introduced to both by George Plimpton. Cohen (MFA program/Sarah Lawrence), a young scholar, peppers all this with dozens of chance encounters, some of them history-making (Mark Twain’s friendship with Ulysses S. Grant, Henry James’s with Willa Cather) and some of them mere, if sometimes elegant, moments (Charlie Chaplin’s encounter with W.E.B. Dubois at the Swiss hotel where Henry James had set Daisy Miller, Peggy Cowley and Hart Crane’s drunken viewing of a Chaplin film in Mexico City).
These moments add up to a fresh if sidelong look at American letters, and to a work that culturally minded readers will greatly enjoy.Pub Date: March 16, 2004
ISBN: 1-4000-6164-4
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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