A nuanced portrait of a writer and reader.
How Jane Austen’s novels can guide readers through joy and grief.
“Criticism and memoir have always been near neighbors,” writes essayist and biographer Cohen (Creative Writing/Univ. of Chicago; Bernard Berenson: A Life in the Picture Trade, 2013, etc.); “the gift of a pronounced personal point of view leads to deeper readings, and to new ones.” In a thoughtful meditation on the interweaving of literature and life, Cohen recounts her reading during years when her life altered dramatically: Her father died, she married, and her two children were born. Those profound experiences made her vibrantly alert to Austen’s themes: “families and friendships and changing history, how we go back over what we have lived, and whether we can hand it on.” Although Austen never married or had children, she “did not forget that her books would be read in rooms where babies had just been born, and where parents had breathed their last.” Rooms, and the objects within them, reverberated with memories and life. Cohen brings to her analysis a thorough familiarity not only with Austen’s unforgettable characters, but also with her critics and biographers, including the “restrained but insightful” memoir written by Austen’s nephew. These works help her to contextualize the novels, which she analyzes with astute sensitivity. Austen’s characters, in fact, emerge more vividly than many individuals from Cohen’s own life. Except for her father, a kind, imaginative man “full of wit” and generosity, others remain shadowy: her mother, a theater director and teacher; Cohen’s husband—their convoluted 15-year courtship, a friend remarked, seemed “very Jane Austen”; her sister, son, and daughter. Cohen’s father was a professor whose research focused on organizations “and the ways people work and play together.” The author remembers him laughing “with delight and with surprise,” and she portrays the family’s home as “a place of tenderness”—though it was not without mysteries (her father’s sudden decision to give all their books away, for example) that, along with treasured memories, came to shape her reading.
A nuanced portrait of a writer and reader.Pub Date: July 21, 2020
ISBN: 978-0-374-10703-1
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
