Distinctive and satisfying romantic suspense.
When an American aid worker disappears in South Sudan, an unlikely ally comes to her rescue in this sequel.
Gabriella Stewart Prime is the last woman Chief Warrant Officer Sebastian Ford ever expected to see at Camp Citron in Djibouti in Africa. Ten years ago, while working for her family’s company, Prime Energy, she defended an oil pipeline project that threatened to undermine Native American treaty rights. While his tribe’s land, the Kalahwamish Reservation in Washington state, was not jeopardized, Ford still opposed the project. Despite his anger over the pipeline, he finds her irresistibly attractive (“She had a maturity about her that had been missing before”). In the years since the project, Gabriella cut ties with her family, received a master’s degree in cultural anthropology, and changed her name to Brie Stewart. She is now a dedicated aid worker who plans to help villagers in South Sudan displaced by civil war. Later, when she disappears in the aftermath of the burning of a food storage depot, Ford’s team is assigned to find her. He discovers she has been abducted and taken to a market where she will be auctioned off to the highest bidder. After a dramatic rescue, Ford and Stewart find themselves falling in love and facing danger when an investigation is launched into the incident. The attack on the depot was not random and Stewart may be a pawn in an international conspiracy. The second novel in Grant’s (Tinderbox, 2017, etc.) Flashpoint series offers intelligent romantic suspense that moves with the urgency of a thriller. The well-researched and timely plot finds the heroes confronting the realities of famine in South Sudan while unraveling a complex scheme to secure oil rights in the region. Although the conspiracy at the heart of the story is complex, Grant successfully unites the various plot threads, and the action is gripping without being gratuitously violent. As with Tinderbox, the heroes are nuanced and their scenes sizzle with erotic tension. Stewart and Ford’s romance develops slowly as both struggle with their pasts and concerns that their relationship may not be accepted by others. Although newcomers to the series do not need to read Tinderbox to enjoy this novel, familiarity with the story might enrich the references to supporting characters Morgan Adler and Pax Blanchard.
Distinctive and satisfying romantic suspense.Pub Date: Nov. 21, 2017
ISBN: 978-1-944571-12-2
Page Count: 304
Publisher: Janus Publishing
Review Posted Online: Dec. 8, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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