Distinctive and satisfying romantic suspense.
When an American aid worker disappears in South Sudan, an unlikely ally comes to her rescue in this sequel.
Gabriella Stewart Prime is the last woman Chief Warrant Officer Sebastian Ford ever expected to see at Camp Citron in Djibouti in Africa. Ten years ago, while working for her family’s company, Prime Energy, she defended an oil pipeline project that threatened to undermine Native American treaty rights. While his tribe’s land, the Kalahwamish Reservation in Washington state, was not jeopardized, Ford still opposed the project. Despite his anger over the pipeline, he finds her irresistibly attractive (“She had a maturity about her that had been missing before”). In the years since the project, Gabriella cut ties with her family, received a master’s degree in cultural anthropology, and changed her name to Brie Stewart. She is now a dedicated aid worker who plans to help villagers in South Sudan displaced by civil war. Later, when she disappears in the aftermath of the burning of a food storage depot, Ford’s team is assigned to find her. He discovers she has been abducted and taken to a market where she will be auctioned off to the highest bidder. After a dramatic rescue, Ford and Stewart find themselves falling in love and facing danger when an investigation is launched into the incident. The attack on the depot was not random and Stewart may be a pawn in an international conspiracy. The second novel in Grant’s (Tinderbox, 2017, etc.) Flashpoint series offers intelligent romantic suspense that moves with the urgency of a thriller. The well-researched and timely plot finds the heroes confronting the realities of famine in South Sudan while unraveling a complex scheme to secure oil rights in the region. Although the conspiracy at the heart of the story is complex, Grant successfully unites the various plot threads, and the action is gripping without being gratuitously violent. As with Tinderbox, the heroes are nuanced and their scenes sizzle with erotic tension. Stewart and Ford’s romance develops slowly as both struggle with their pasts and concerns that their relationship may not be accepted by others. Although newcomers to the series do not need to read Tinderbox to enjoy this novel, familiarity with the story might enrich the references to supporting characters Morgan Adler and Pax Blanchard.
Distinctive and satisfying romantic suspense.Pub Date: Nov. 21, 2017
ISBN: 978-1-944571-12-2
Page Count: 304
Publisher: Janus Publishing
Review Posted Online: Dec. 8, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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